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good evening ladies and gentlemen a very

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warm welcome to Ronnie Scots for those

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of you who' just arrived just before we

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get going a couple of necessary yet ever

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so boring announcements please we do ask

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no photography whatsoever try and keep

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your clothes on turn your mobiles off

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because you're about to enjoy some of

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the world's greatest musicians

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[Music]

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[Applause]

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[Music]

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[Music]

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[Applause]

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there's just so much history here in

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Ronny Scots you can feel the spirit of

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the greats who've come in and out it's

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just one of London's absolute

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[Music]

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Essentials for me Ronnie Scots is one of

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the great jazz clubs um you always feel

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like you're at home it's rare to find a

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club that's been around for even a

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fraction of the time that rise has been

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and has had so many great musicians play

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there over the

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[Music]

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years I like watching people when they

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walk in you can tell whether they've

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been here for the first time or not and

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I think the room and everything we do

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lives up to their expectations

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[Music]

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I

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[Music]

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to run Ronnie Scott you really have to

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understand the Legacy why it was started

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what the ethos was of the founders of

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the club it is a National Institution it

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is a

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[Music]

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responsibility so many people go to that

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club but they don't know anything about

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Rony Scott or or who he

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was I mean running a jazz club at the

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best of time is always that kind of

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knife edged business you make it one

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week and then the next week you don't

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and use the money to pay pay whoever you

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owe um and only really an idiot would go

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into into the Jazz Club business let's

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face

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it the club I think was onun his life

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you know from the day that he opened it

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he had this plan and I think yeah he

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devoted his life to

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it everybody followed him I mean he was

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regarded really even if it was written

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down he was the leader he wasn't going

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out to be a leader he was just what he

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was was always gracious inviting and

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free to share his ideas with everybody

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it was interesting interesting to be a

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part of

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it I will remember him as an absolutely

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crucial Catalyst to the British Jazz

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scene who never ever thought he was the

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personal qualities of Ronnie that I was

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always struck by were his frankness and

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honesty his deep love of Music a person

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of great Creative Energy I think he

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tried to do it from this sort of Bunker

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of Ronnie Scott's Club this private

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World from which we all gradually

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learned what an important music jazz

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was people wanted to like him people

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wanted to meet him wanted to bask in his

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shadow but he he wasn't that kind of man

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at all there was a great sort of um

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Darkness he was not easy to

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know somebody who described him as a

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very interesting bunch of

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guys he was something to me a different

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person with these various women

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he was at his best when holding Court in

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the office at the

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club each individual that you speak with

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will be totally convinced that that was

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the whole Ronnie that they really knew

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Ronnie thoroughly and I don't think

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anybody really really knew the whole man

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it's not until you gather all the pieces

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together and put it all together that

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that you get the full picture of him

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[Music]

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I come from a very poor family in the

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East End of London we really were

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desperately poor had to buy all our

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clothes at a war surplus store and let

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me tell you it was no fun for a

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9-year-old Jewish kid to have to go to

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school in the East End wearing a

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Japanese Admiral's uniform

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[Music]

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[Music]

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Ron you're a Londoner aren't you yes yes

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e London East London Coty well within

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the sound of boell yes musical family

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well my father was a saxophone

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player he and my mother separated when I

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was very young I think I was about four

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at the time and they were divorced

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shortly afterwards I knew was a

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saxophone player that's all I

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knew when the dance bands were on the

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radio I used to listen and I used to

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think perhaps my old man is playing in

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that band I think possibly I graduated

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to the saxophone perhaps because of that

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and decided I would like to play in a

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band in those days the epitome as far as

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I was concerned was playing in a dance

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band

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[Music]

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[Music]

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these are not Hollywood sound

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effects this is the music they play

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every night in London the Symphony of

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War

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when I was about 12 the ambition was to

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be a rear gunner in the RAF and I joined

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the local air training course Squad was

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kind of an RAF Boy

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Scouts I remember there was a young kid

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in air training Corp troop who used to

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play the piano like Conor Charlie [ __ ]

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and I thought he was fantastic

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[Music]

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I didn't know what I wanted to play

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really I thought I tried this corn which

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I bought for five B from a junk shop

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that I passed on my way to

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school it was held together I remember

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with black masking

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tape then uh I got a soprano saxophone

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and it was a very very early model I

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remember and I found extraordinary

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difficult to play I still do

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I think I've eventually played at a

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little T and my mother was terrible but

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you know my son the musician was

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Dreadful noise from the soprano my

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mother and stepfather saw that I was

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keen on it and decided to buy me a

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proper

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saxophone I was in love with it from the

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beginning you know I remember when I

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used to uh travel on tube trains with it

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I used to sit and open it and look at it

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it was so so

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beautiful I used to go to this club in

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East End Alum and we used to have what

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we fondly thought of were Jam sessions

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in the in the basement I would love to

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hear a tape recording of that noise we

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made it was great

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fun I graduated from the East end to the

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West End when I was 16 or 17 there were

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places called bottle parties which were

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kind of sleazy nightclubs and we used to

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go around and sit in with these bands

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[Music]

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I worked from there with a few bands on

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the road and then I went with Ted Heath

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band when I was 18 which was the big

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break I suppose it was the band of the

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day

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it was a very nice era to come up in I

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always at the feeling that the musicians

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of my generation had the best time it

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was all new it was all exciting there

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was a great deal of camaraderie around

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it was just great

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fun I knew of Ronnie of course uh by

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coming to listen to him live and Ronnie

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was

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[Music]

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superb when did you form your own person

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band that was around

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19 54

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55 I'd been working with Jack parnell's

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band and then there was a kind of a bust

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up and several of the guys left we just

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had the idea of forming this Cooperative

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band so we did

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[Music]

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it the people in that group including P

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King the manager became very friendly

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and we became a sort of Hardcore of

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friends I

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suppose Pete and I were uh musicians

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together he was a saxophone player and

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we've been together ever since seems

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like yesterday and you know what allow

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you day

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yesterday Pete of course was interested

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in management he loved deals and he

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loved negotiations and he loved finding

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out how far he could go and getting the

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deal to his Advantage Ronnie and Pete

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were incredibly loyal to musicians they

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admire

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I had a phone call one afternoon it was

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Pete King and he said we want a vocalist

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we would be touring about 5 days a week

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and at that time it was fantastic money

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it was5 a gig and fell on the floor when

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he said that he he said how's that sound

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I said yeah sounds sounds good but their

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agent said if you want to go on the road

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and play dance halls it will have to be

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commercial

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Jazz oh no didn't stand a

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chance because it was damned in the eyes

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of the musical establishment we were

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unemployable that's right I mean this is

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why we had to form our own

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[Music]

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scene the landscape of jazz in the

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mid-50s was extremely

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diverse bbop at that time was a new

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development started in America in 1939

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or 1940

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which was a reaction against the

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commercialization of swing a lot of the

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younger musicians particularly the the

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most proficient and skillful Ones

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playing in those swing bands were just

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getting bored with

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it we'd recognized a language a musical

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language that was for our time that was

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our time when I first heard ronning

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ronning was always playing that

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way you know we could never understand

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why a young man as we all were in those

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days wanted to play a music of 20 or 30

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years ago and not want to play what was

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the music we thought of as of the

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[Music]

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time there were a lot of American

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servicemen of course around at that time

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and one of the musicians that was around

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was Art Peppa who was a military

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policeman of all things the most

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unlikely military Poli policeman you can

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imagine I remember going up to him and

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saying that's the best saxophone playing

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I've ever heard and he said well if you

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like that wait till you hear Charlie

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Parker

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[Music]

262
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when our saxophone players first heard

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Parker well we thought was Jesus

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Christ it was absolutely phenomenal

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everybody that played the saxophone was

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bowled over literally bowd

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over Welcome to the Club Le it's almost

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like a youth movement because these were

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young musicians who adopted what they

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call Modern Jazz at the time and it was

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a new language that Charlie Parker disal

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espie and alonia smun were introducing

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to the music it was less stayed than the

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big bands that have been playing

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primarily dance music so there music

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that you uh Listen to More Than dance

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to it was basically down to everybody

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that was interested in trying to find a

279
00:17:59,231 --> 00:18:01,752
way harmonically and rhythmically of

280
00:18:01,752 --> 00:18:04,552
studying bball so one of the things that

281
00:18:04,552 --> 00:18:06,792
we did do was sign on to what we used to

282
00:18:06,792 --> 00:18:10,622
call geraldo's Navy

283
00:18:10,622 --> 00:18:13,512
[Music]

284
00:18:13,512 --> 00:18:15,591
that was a way to get your ass to New

285
00:18:15,591 --> 00:18:17,832
York because you play in the in the

286
00:18:17,832 --> 00:18:19,872
dance band on the boat and then you get

287
00:18:19,872 --> 00:18:21,952
a few days of shore before you came back

288
00:18:21,952 --> 00:18:23,712
and there you could visit all the Jazz

289
00:18:23,712 --> 00:18:24,342
Clips in

290
00:18:24,342 --> 00:18:36,261
[Music]

291
00:18:37,752 --> 00:18:41,872
manham for a young English jazz music to

292
00:18:41,872 --> 00:18:44,591
go to New York in those days it was like

293
00:18:44,591 --> 00:18:47,912
being transported to

294
00:18:48,312 --> 00:18:50,792
Dreamland I went to the jazz clubs there

295
00:18:50,792 --> 00:18:52,912
and heard some of these guys in person

296
00:18:52,912 --> 00:18:55,062
and it just knocked me

297
00:18:55,062 --> 00:19:08,721
[Music]

298
00:19:08,792 --> 00:19:11,832
out the first time I came to America

299
00:19:11,832 --> 00:19:14,752
we got in this cab and the driver kind

300
00:19:14,752 --> 00:19:16,912
of turned around they used guys from

301
00:19:16,912 --> 00:19:19,392
London and it was in this Brooklyn

302
00:19:19,392 --> 00:19:21,552
accent Tony and my friend and I looked

303
00:19:21,552 --> 00:19:24,672
at each other and we just grinned it was

304
00:19:24,672 --> 00:19:26,822
like being in in the

305
00:19:26,822 --> 00:19:29,072
[Music]

306
00:19:29,072 --> 00:19:31,832
movies the first street sign we saw was

307
00:19:31,832 --> 00:19:34,832
52nd Street which even then to us was a

308
00:19:34,832 --> 00:19:37,072
hallowed name 52nd Street where where

309
00:19:37,072 --> 00:19:40,591
all jazz clubs were playing old Jazz new

310
00:19:40,591 --> 00:19:41,922
Jazz everything in

311
00:19:41,922 --> 00:19:46,712
[Music]

312
00:19:46,712 --> 00:19:49,872
between to walk in to this little place

313
00:19:49,872 --> 00:19:53,392
and hear this band with this American

314
00:19:53,392 --> 00:19:55,512
sound that we'd never really heard in

315
00:19:55,512 --> 00:19:58,832
person before was

316
00:20:00,912 --> 00:20:03,312
amazing so we had a beer in the three

317
00:20:03,312 --> 00:20:05,512
Deuces made it last as long as possible

318
00:20:05,512 --> 00:20:09,512
until the bartender began to get uh a

319
00:20:09,512 --> 00:20:12,312
bit insistent and then we go next door

320
00:20:12,312 --> 00:20:14,111
to the down bit here diz's band and

321
00:20:14,111 --> 00:20:17,202
that's way went on all through the night

322
00:20:17,202 --> 00:20:21,461
[Music]

323
00:20:26,562 --> 00:20:41,102
[Music]

324
00:20:43,192 --> 00:20:46,231
I never go back to Georgia cuz I like

325
00:20:46,231 --> 00:20:47,302
London

326
00:20:47,302 --> 00:21:08,642
[Music]

327
00:21:11,231 --> 00:21:14,231
a

328
00:21:15,992 --> 00:22:07,041
[Music]

329
00:22:09,711 --> 00:22:12,711
he

330
00:22:23,471 --> 00:22:24,832
now Ronnie you were one of the best

331
00:22:24,832 --> 00:22:26,272
tennis ax players in the country you

332
00:22:26,272 --> 00:22:28,152
were winning all the pears you were

333
00:22:28,152 --> 00:22:29,991
doing all right why did you decide to

334
00:22:29,991 --> 00:22:33,952
open a jazz club I much prefer clubs to

335
00:22:33,952 --> 00:22:36,312
concerts as far as playing is concern I

336
00:22:36,312 --> 00:22:39,632
think a lot of musicians feel the same

337
00:22:39,632 --> 00:22:42,392
way having had this experience in New

338
00:22:42,392 --> 00:22:44,991
York of places like the three Deuces and

339
00:22:44,991 --> 00:22:46,792
the downbeat and the Hickory House and

340
00:22:46,792 --> 00:22:49,351
places like that they really seem to me

341
00:22:49,351 --> 00:22:51,711
the ideal kind of setting for jazz music

342
00:22:51,711 --> 00:22:53,512
to be played

343
00:22:53,512 --> 00:22:55,832
in I'd never seen anything like it was a

344
00:22:55,832 --> 00:22:57,471
fantastic atmosphere and the music was

345
00:22:57,471 --> 00:22:59,512
marvelous and I think this had a kind of

346
00:22:59,512 --> 00:23:02,072
lasting impression on me when I came

347
00:23:02,072 --> 00:23:03,672
back there was always the idea of

348
00:23:03,672 --> 00:23:09,152
opening one day a place similar to that

349
00:23:09,642 --> 00:23:12,771
[Music]

350
00:23:15,672 --> 00:23:18,591
he had told me that coming back from New

351
00:23:18,591 --> 00:23:21,591
York to London he had plenty of time on

352
00:23:21,591 --> 00:23:24,991
the boat to dream up how he wanted his

353
00:23:24,991 --> 00:23:28,351
Club to be he pictured it

354
00:23:28,351 --> 00:23:30,591
completely we used to get in the coach

355
00:23:30,591 --> 00:23:32,752
at whatever time with a cushion and

356
00:23:32,752 --> 00:23:35,231
duffel coats freezing you know and we

357
00:23:35,231 --> 00:23:37,672
used to sit and talk and say well

358
00:23:37,672 --> 00:23:39,552
wouldn't it be nice if we could open up

359
00:23:39,552 --> 00:23:43,392
a club the deed was sown

360
00:23:43,392 --> 00:23:46,231
really I used to overhear them talking

361
00:23:46,231 --> 00:23:49,512
about it he said I can provide the music

362
00:23:49,512 --> 00:23:51,672
of what I want and I can play in the

363
00:23:51,672 --> 00:23:53,512
club but I'm not a

364
00:23:53,512 --> 00:23:56,711
businessman Pete King was the

365
00:23:56,711 --> 00:23:59,231
businessman and they had this dream of

366
00:23:59,231 --> 00:24:01,392
having a

367
00:24:01,392 --> 00:24:04,351
club Pete was basically the rock around

368
00:24:04,351 --> 00:24:06,711
which the club was built and Ronnie was

369
00:24:06,711 --> 00:24:09,832
the Stardust

370
00:24:10,792 --> 00:24:13,982
[Music]

371
00:24:16,872 --> 00:24:19,032
the lights Blaze and dance a city with

372
00:24:19,032 --> 00:24:21,111
her makeup on and in the alleys where

373
00:24:21,111 --> 00:24:23,872
the lamps are low the clubs and the Easy

374
00:24:23,872 --> 00:24:26,552
Money joints the fashionable night spots

375
00:24:26,552 --> 00:24:28,672
as proud of their respectability as a

376
00:24:28,672 --> 00:24:31,711
girl of her first mink the allight cafes

377
00:24:31,711 --> 00:24:34,982
and the nud shows so

378
00:24:34,982 --> 00:24:45,912
[Music]

379
00:24:45,912 --> 00:24:48,432
well he was such a a Bohemian colorful

380
00:24:48,432 --> 00:24:50,952
sort of those marvelous characters it

381
00:24:50,952 --> 00:24:52,672
was very Cosmopolitan and and there were

382
00:24:52,672 --> 00:24:54,952
a lot of artists and musicians who used

383
00:24:54,952 --> 00:24:58,672
to meet in so and various pubs and clubs

384
00:24:58,672 --> 00:25:00,912
and there were the ladies of the night

385
00:25:00,912 --> 00:25:02,432
and there were marvelous restaurants to

386
00:25:02,432 --> 00:25:04,831
eat in there were the gangsters of

387
00:25:04,831 --> 00:25:07,312
course the people like uh Billy Hill and

388
00:25:07,312 --> 00:25:09,831
jack spot if there was any violence it

389
00:25:09,831 --> 00:25:11,231
was amongst themselves they never

390
00:25:11,231 --> 00:25:12,672
touched members of the general public

391
00:25:12,672 --> 00:25:14,711
and in fact musicians in particular they

392
00:25:14,711 --> 00:25:16,351
left alone entir were very friendly

393
00:25:16,351 --> 00:25:18,272
towards the musicians and it was just a

394
00:25:18,272 --> 00:25:19,542
great place to

395
00:25:19,542 --> 00:25:22,632
[Music]

396
00:25:22,632 --> 00:25:25,792
be so I said just now that I wouldn't do

397
00:25:25,792 --> 00:25:30,072
it again but I apologize if you paid

398
00:25:30,072 --> 00:25:32,752
more I've got to clear stocks and let's

399
00:25:32,752 --> 00:25:35,471
be quite truthful people we haven't come

400
00:25:35,471 --> 00:25:38,312
down here for the bloody benefit of our

401
00:25:38,312 --> 00:25:41,471
elves there were all kind kinds of

402
00:25:41,471 --> 00:25:43,752
eccentric people wanding

403
00:25:43,752 --> 00:25:45,952
about you'd hear all these stories about

404
00:25:45,952 --> 00:25:48,351
someone called iron foot Jack you know

405
00:25:48,351 --> 00:25:49,591
that would be people who would hang out

406
00:25:49,591 --> 00:25:52,072
in SoHo but with no visible means of

407
00:25:52,072 --> 00:25:55,231
support somehow they all seem to get

408
00:25:55,231 --> 00:25:58,552
along together joined by being Outsiders

409
00:25:58,552 --> 00:26:01,152
of various

410
00:26:01,192 --> 00:26:03,872
kinds and this time you'll be a cever

411
00:26:03,872 --> 00:26:06,231
birdie and go around on the wheel one 2

412
00:26:06,231 --> 00:26:09,032
three four up and down and I made it go

413
00:26:09,032 --> 00:26:11,432
round one little bird in the

414
00:26:11,432 --> 00:26:13,831
up and down and a he go around with his

415
00:26:13,831 --> 00:26:16,552
bum in the air Jaz has always been

416
00:26:16,552 --> 00:26:19,912
considered slightly naughty anyway so it

417
00:26:19,912 --> 00:26:21,952
fitted nicely into

418
00:26:21,952 --> 00:26:24,392
Soho you have to remember in those days

419
00:26:24,392 --> 00:26:27,032
the situation of jazz musicians was a

420
00:26:27,032 --> 00:26:29,872
powerless one you could play jazz but

421
00:26:29,872 --> 00:26:32,952
you had to work for people that they

422
00:26:32,952 --> 00:26:35,231
called themselves jazz club Proprietors

423
00:26:35,231 --> 00:26:37,552
what they really were were Petty felons

424
00:26:37,552 --> 00:26:39,711
most of them and they would hire a ROM

425
00:26:39,711 --> 00:26:41,471
and hire some musici and give them at

426
00:26:41,471 --> 00:26:43,192
least St Siege and then pocket the

427
00:26:43,192 --> 00:26:44,312
proceeds there were nothing could do

428
00:26:44,312 --> 00:26:45,952
with music these people if they were

429
00:26:45,952 --> 00:26:47,672
going to sell music because it made

430
00:26:47,672 --> 00:26:51,152
money that's all so when Ronnie finally

431
00:26:51,152 --> 00:26:53,272
formed a club it was a revolutionary

432
00:26:53,272 --> 00:26:55,872
thing to do because there had never been

433
00:26:55,872 --> 00:26:58,272
a club when you went to work you were

434
00:26:58,272 --> 00:26:59,792
working for one of the fellas they'

435
00:26:59,792 --> 00:27:03,591
never been there ever

436
00:27:13,831 --> 00:27:16,231
these premises became available in

437
00:27:16,231 --> 00:27:19,032
Gerard street they were a taxi driver's

438
00:27:19,032 --> 00:27:21,632
kind of all night Cafe at the time so we

439
00:27:21,632 --> 00:27:22,722
took them

440
00:27:22,722 --> 00:27:25,711
[Music]

441
00:27:25,711 --> 00:27:28,591
over we spoke to the the landlord about

442
00:27:28,591 --> 00:27:31,312
it and we went ahead with decorating it

443
00:27:31,312 --> 00:27:33,272
my father-in-law came down from

444
00:27:33,272 --> 00:27:35,872
Manchester to do the

445
00:27:35,872 --> 00:27:38,231
carpentry I remember we went down to the

446
00:27:38,231 --> 00:27:41,152
East End and bought 60 or 70 secondhand

447
00:27:41,152 --> 00:27:45,312
chairs and we hired a piano and some PA

448
00:27:45,312 --> 00:27:48,142
equipment and off we

449
00:27:48,142 --> 00:27:55,221
[Music]

450
00:28:01,432 --> 00:28:04,672
went the basement in Jersey was 2 and6

451
00:28:04,672 --> 00:28:07,552
to come in and on Saturday nights what

452
00:28:07,552 --> 00:28:09,792
we call the all nighter which I think

453
00:28:09,792 --> 00:28:12,991
was five b come in we stayed open till

454
00:28:12,991 --> 00:28:14,792
till uh nobody

455
00:28:14,792 --> 00:28:16,831
left they have pictures of jazz

456
00:28:16,831 --> 00:28:19,392
musicians on the wall and the chairs

457
00:28:19,392 --> 00:28:21,312
were in rows neat rows and they all

458
00:28:21,312 --> 00:28:23,912
faced the stage none of the chairs

459
00:28:23,912 --> 00:28:26,351
matched and I honestly think he must

460
00:28:26,351 --> 00:28:28,192
have got them as a job block from the

461
00:28:28,192 --> 00:28:31,471
Salvation Army but somehow it you felt

462
00:28:31,471 --> 00:28:34,711
that you were in the genuine In Crowd of

463
00:28:34,711 --> 00:28:37,591
the musical Jazz circle of London you'd

464
00:28:37,591 --> 00:28:40,752
arrived in a club that was designed for

465
00:28:40,752 --> 00:28:43,032
jazz

466
00:28:43,032 --> 00:28:45,312
musicians we'd occasionally go down

467
00:28:45,312 --> 00:28:46,951
Gerard Street in the middle of the night

468
00:28:46,951 --> 00:28:48,951
and walk down the little raw iron STC

469
00:28:48,951 --> 00:28:50,792
and tap on the little wooden window

470
00:28:50,792 --> 00:28:53,512
which they'd slide open and it was

471
00:28:53,512 --> 00:28:56,512
either Ronnie or Peete himself and said

472
00:28:56,512 --> 00:28:58,392
like any chance of popping in for a

473
00:28:58,392 --> 00:29:00,632
minute to have a listen and usually the

474
00:29:00,632 --> 00:29:02,752
answer would be no [ __ ]

475
00:29:02,752 --> 00:29:05,432
off it was a nice little room I mean I

476
00:29:05,432 --> 00:29:07,831
would have been quite happy to stay

477
00:29:07,831 --> 00:29:10,152
there for the rest of my life we just

478
00:29:10,152 --> 00:29:12,072
paid the rent and paid the guys and that

479
00:29:12,072 --> 00:29:14,231
was

480
00:29:17,591 --> 00:29:22,552
it the other promoters were very angry

481
00:29:22,552 --> 00:29:24,231
when he opened the club they didn't like

482
00:29:24,231 --> 00:29:26,192
it they didn't like the idea of a

483
00:29:26,192 --> 00:29:28,152
musician becoming a proprietor because

484
00:29:28,152 --> 00:29:30,792
they reckon it was uh trespassing on

485
00:29:30,792 --> 00:29:32,392
their hallow ground but there was

486
00:29:32,392 --> 00:29:33,872
nothing they could do about it and after

487
00:29:33,872 --> 00:29:36,032
a while they learn to live with it what

488
00:29:36,032 --> 00:29:38,312
none of us including Ronnie imagin was

489
00:29:38,312 --> 00:29:41,672
that he'd long outlived them

490
00:29:41,672 --> 00:29:44,032
the difficulty was Financial because the

491
00:29:44,032 --> 00:29:45,272
kind of music they wanted to play

492
00:29:45,272 --> 00:29:47,032
wouldn't pull a big enough audience but

493
00:29:47,032 --> 00:29:48,912
I think what they hoped that in the long

494
00:29:48,912 --> 00:29:50,711
run they could do was that all their

495
00:29:50,711 --> 00:29:52,951
great Heroes and Jazz could all come

496
00:29:52,951 --> 00:29:54,132
together in this one

497
00:29:54,132 --> 00:29:57,172
[Applause]

498
00:29:57,172 --> 00:30:07,391
[Music]

499
00:30:07,792 --> 00:30:10,351
place what you do it's the way that you

500
00:30:10,351 --> 00:30:13,991
do do it what you do the way you do it

501
00:30:13,991 --> 00:30:16,792
what you do way you do it that's what

502
00:30:16,792 --> 00:30:20,152
gets results take what you do it's the

503
00:30:20,152 --> 00:30:22,591
place you do it what you do it's the

504
00:30:22,591 --> 00:30:25,591
place you do it what you do it's place

505
00:30:25,591 --> 00:30:29,912
you do it what gets results you can try

506
00:30:29,912 --> 00:30:32,231
hard don't mean to

507
00:30:32,231 --> 00:30:37,552
sing take it EAS Breezy then you bound

508
00:30:37,552 --> 00:30:40,672
to swing T what you do with the wi that

509
00:30:40,672 --> 00:30:42,752
you do it then what you do it's the

510
00:30:42,752 --> 00:30:44,831
place that you do it what you do it's

511
00:30:44,831 --> 00:30:47,111
the time that you do it that's what gets

512
00:30:47,111 --> 00:30:49,392
the

513
00:30:50,432 --> 00:30:53,432
result

514
00:30:54,672 --> 00:30:57,591
get it was very difficult to make end

515
00:30:57,591 --> 00:30:59,632
meet local musicians are taken for

516
00:30:59,632 --> 00:31:01,512
granted if we were going to stay open

517
00:31:01,512 --> 00:31:03,632
we'd have to import foreign musicians

518
00:31:03,632 --> 00:31:05,912
Americans in

519
00:31:05,912 --> 00:31:08,552
particular we tried to run the place on

520
00:31:08,552 --> 00:31:10,792
English music and it just didn't didn't

521
00:31:10,792 --> 00:31:14,312
work it just didn't

522
00:31:14,312 --> 00:31:16,392
work you know this is the one thing

523
00:31:16,392 --> 00:31:18,432
really that that that that I find a

524
00:31:18,432 --> 00:31:21,351
little discouraging is there are so many

525
00:31:21,351 --> 00:31:23,032
good jazz musicians that one would like

526
00:31:23,032 --> 00:31:24,752
to present and one knows that are good

527
00:31:24,752 --> 00:31:27,392
players but just don't mean anything

528
00:31:27,392 --> 00:31:29,392
economically because they're not uh they

529
00:31:29,392 --> 00:31:30,711
haven't had the publicity or they

530
00:31:30,711 --> 00:31:32,872
haven't been built up into the legend

531
00:31:32,872 --> 00:31:35,512
that that some players have you know

532
00:31:35,512 --> 00:31:37,711
they weren't making the money that they

533
00:31:37,711 --> 00:31:40,312
had to as a business to make it work and

534
00:31:40,312 --> 00:31:41,672
and they felt well they needed somebody

535
00:31:41,672 --> 00:31:44,032
of international status and in those

536
00:31:44,032 --> 00:31:46,392
days the only salable Jazz musicians and

537
00:31:46,392 --> 00:31:48,392
their Heroes of course were American

538
00:31:48,392 --> 00:31:49,711
Jazz musicians and that's when we have

539
00:31:49,711 --> 00:31:52,192
suit Sims coming here in 962

540
00:31:52,192 --> 00:32:15,602
[Music]

541
00:32:15,872 --> 00:32:17,512
there was this long-standing feud

542
00:32:17,512 --> 00:32:20,552
between the American and English Union

543
00:32:20,552 --> 00:32:21,752
the English Union wouldn't have

544
00:32:21,752 --> 00:32:24,192
Americans working here in case it took

545
00:32:24,192 --> 00:32:25,872
work away English musicians and

546
00:32:25,872 --> 00:32:27,792
blackship in

547
00:32:27,792 --> 00:32:30,471
America we somehow got the fair together

548
00:32:30,471 --> 00:32:34,552
for me to go to New York and negotiate

549
00:32:34,552 --> 00:32:38,591
with the Petrillo organization which was

550
00:32:38,591 --> 00:32:40,951
the American Federation of mus

551
00:32:40,951 --> 00:32:44,392
Ians but being an East End boy I think

552
00:32:44,392 --> 00:32:46,672
they've kind of accepted

553
00:32:46,672 --> 00:32:50,111
me and they listened and eventually they

554
00:32:50,111 --> 00:32:52,471
turn around and said well if the British

555
00:32:52,471 --> 00:32:57,272
U are game for it then we

556
00:32:58,632 --> 00:33:01,552
are that's very unheralded what they did

557
00:33:01,552 --> 00:33:03,632
there the two of them fixing up those

558
00:33:03,632 --> 00:33:06,071
exchanges of musicians which opened the

559
00:33:06,071 --> 00:33:07,912
door to American musicians being able to

560
00:33:07,912 --> 00:33:09,312
come and play here more generally I

561
00:33:09,312 --> 00:33:10,231
think that's such a huge contri

562
00:33:10,231 --> 00:33:13,071
contribution to British

563
00:33:17,432 --> 00:33:20,032
music there was this Rock and Roll

564
00:33:20,032 --> 00:33:22,351
Explosion and then there were so many

565
00:33:22,351 --> 00:33:24,312
rock and roll bands English rock and

566
00:33:24,312 --> 00:33:26,351
roll bands going to America there was a

567
00:33:26,351 --> 00:33:29,991
backlog of American musicians due to

568
00:33:29,991 --> 00:33:32,792
us you know I mean the sex dists would

569
00:33:32,792 --> 00:33:35,471
go to America and we'd get Sunny rollet

570
00:33:35,471 --> 00:33:37,152
you know like the the bargain of the

571
00:33:37,152 --> 00:33:39,142
century

572
00:33:39,142 --> 00:33:44,741
[Music]

573
00:33:49,831 --> 00:33:53,392
I love my time in London when I played

574
00:33:53,392 --> 00:33:55,111
there at Ronnie

575
00:33:55,111 --> 00:33:59,792
Scots the club was a very special place

576
00:33:59,792 --> 00:34:03,032
the music uh it gets into the room the

577
00:34:03,032 --> 00:34:08,711
atmosphere you know it was magical

578
00:34:12,042 --> 00:34:39,472
[Music]

579
00:34:39,472 --> 00:34:42,071
oh a

580
00:34:42,071 --> 00:35:08,091
[Music]

581
00:35:10,872 --> 00:35:15,232
word of mouth was the forest fire and it

582
00:35:15,232 --> 00:35:18,672
got out so

583
00:35:18,672 --> 00:35:22,271
fast the place just filled it would be

584
00:35:22,271 --> 00:35:25,992
packed in there like a can of

585
00:35:27,192 --> 00:35:29,632
sardines it was the music that that

586
00:35:29,632 --> 00:35:31,752
fascinated me and the chance to sort of

587
00:35:31,752 --> 00:35:33,312
see some of the greates I'd only heard

588
00:35:33,312 --> 00:35:35,592
on

589
00:35:35,791 --> 00:35:38,392
radio the musicians were mostly Stone

590
00:35:38,392 --> 00:35:40,672
out the time and so was our the audience

591
00:35:40,672 --> 00:35:43,312
I think so there's a kind of a a link

592
00:35:43,312 --> 00:35:45,462
between us and

593
00:35:45,462 --> 00:35:49,312
[Music]

594
00:35:49,312 --> 00:35:51,791
them the one gig I really wish I'd have

595
00:35:51,791 --> 00:35:55,112
gone to was Ren Kirk and Ronnie Scotts I

596
00:35:55,112 --> 00:35:56,672
can't imagine how BR that would have

597
00:35:56,672 --> 00:35:59,472
been blind Roland Kirk with his Penny

598
00:35:59,472 --> 00:36:01,592
Whistle and his saxophones and playing

599
00:36:01,592 --> 00:36:03,511
all this stuff at the same time that

600
00:36:03,511 --> 00:36:05,152
would have been

601
00:36:05,152 --> 00:36:09,392
remarkable 1 2 1 2 3 4

602
00:36:09,392 --> 00:36:17,642
[Music]

603
00:36:17,642 --> 00:36:20,282
[Applause]

604
00:36:20,282 --> 00:36:32,592
[Music]

605
00:36:32,592 --> 00:36:33,862
it

606
00:36:33,862 --> 00:36:41,421
[Music]

607
00:36:46,292 --> 00:37:00,212
[Music]

608
00:37:04,592 --> 00:37:07,642
[Music]

609
00:37:08,511 --> 00:37:10,632
it was really a place for enthusiasts

610
00:37:10,632 --> 00:37:13,312
and it was very small the musicians

611
00:37:13,312 --> 00:37:15,192
coming into to play had to come down the

612
00:37:15,192 --> 00:37:16,672
spiral staircase and go through the

613
00:37:16,672 --> 00:37:18,192
crowd to get to the Band Stand which was

614
00:37:18,192 --> 00:37:20,432
at the other end I remember somebody

615
00:37:20,432 --> 00:37:21,712
telling me they heard Dexter Gordon

616
00:37:21,712 --> 00:37:23,432
playing there they were actually a foot

617
00:37:23,432 --> 00:37:25,152
away and the guy said he became

618
00:37:25,152 --> 00:37:26,511
fascinated by watching The Sweat

619
00:37:26,511 --> 00:37:27,992
dropping off Dexter Gordon's head and

620
00:37:27,992 --> 00:37:29,412
bouncing off his polished

621
00:37:29,412 --> 00:37:32,841
[Music]

622
00:37:34,872 --> 00:37:37,551
shoe one of the STS was the joint the

623
00:37:37,551 --> 00:37:41,271
goal I'd see Max Jones from Melody Maker

624
00:37:41,271 --> 00:37:42,992
meet me at the airport and we go to

625
00:37:42,992 --> 00:37:46,912
Ronnie Scots that's where I want to

626
00:37:49,511 --> 00:37:52,152
go it was great the atmosphere was

627
00:37:52,152 --> 00:37:53,992
wonderful the only thing is it wasn't

628
00:37:53,992 --> 00:37:56,952
big enough and so that's when they found

629
00:37:56,952 --> 00:38:00,432
the new place

630
00:38:10,422 --> 00:38:12,192
[Music]

631
00:38:12,192 --> 00:38:14,551
one of Ronnie's dreams was to bring in

632
00:38:14,551 --> 00:38:17,312
the big band which of course was utterly

633
00:38:17,312 --> 00:38:20,832
impossible in Gerard street so the

634
00:38:20,832 --> 00:38:23,551
decision was made yes he definitely had

635
00:38:23,551 --> 00:38:27,352
to move no two straws about

636
00:38:29,642 --> 00:38:36,312
[Music]

637
00:38:36,312 --> 00:38:39,312
it from that basement back room in Geral

638
00:38:39,312 --> 00:38:41,232
Street to three these stories in fth

639
00:38:41,232 --> 00:38:42,751
Street this was a big investment this

640
00:38:42,751 --> 00:38:45,072
was taking a big chance wasn't it yeah

641
00:38:45,072 --> 00:38:46,392
not for us so much because we didn't

642
00:38:46,392 --> 00:38:48,031
have any Capital anyway we borrowed the

643
00:38:48,031 --> 00:38:49,712
money which we're still paying back and

644
00:38:49,712 --> 00:38:53,112
which will probably be paying back

645
00:38:56,382 --> 00:38:58,551
[Music]

646
00:38:58,551 --> 00:39:01,712
forever this was a bigger venue and it

647
00:39:01,712 --> 00:39:04,751
also I suppose was closer to the idea of

648
00:39:04,751 --> 00:39:07,192
an American Jazz Club New York jazz club

649
00:39:07,192 --> 00:39:08,912
that Ronnie had had in his mind for so

650
00:39:08,912 --> 00:39:11,432
long even though they used to joke about

651
00:39:11,432 --> 00:39:13,271
the standard of their own kitchen you

652
00:39:13,271 --> 00:39:14,791
could get supper and it was a really

653
00:39:14,791 --> 00:39:17,392
nice place to

654
00:39:17,472 --> 00:39:20,072
be with frit Street the promises in frit

655
00:39:20,072 --> 00:39:22,072
street that we had was everybody was

656
00:39:22,072 --> 00:39:24,751
after it but there was a gangster by the

657
00:39:24,751 --> 00:39:27,511
name of Italian Albert dimes and Italian

658
00:39:27,511 --> 00:39:29,712
Albert made sure that we got

659
00:39:29,712 --> 00:39:33,872
it he made sure he made

660
00:39:34,271 --> 00:39:37,192
sure well Albert dimes was who was the

661
00:39:37,192 --> 00:39:40,592
kind of Godfather at that time

662
00:39:40,592 --> 00:39:44,672
and when we opened here he bought us a

663
00:39:44,672 --> 00:39:46,751
magnum of champagne in

664
00:39:46,751 --> 00:39:49,592
1965 he bought us a magnum of champagne

665
00:39:49,592 --> 00:39:53,232
over there and uh he said when you're

666
00:39:53,232 --> 00:39:55,952
out of debt open the bottle you know

667
00:39:55,952 --> 00:39:57,912
it's still unopen you

668
00:39:57,912 --> 00:40:00,751
know he used to come in the club after

669
00:40:00,751 --> 00:40:03,112
that and he would always pay to come in

670
00:40:03,112 --> 00:40:04,472
always pay for his food and Ronnie would

671
00:40:04,472 --> 00:40:06,232
occasionally send him a bottle of wine

672
00:40:06,232 --> 00:40:07,832
which he would accept he didn't want

673
00:40:07,832 --> 00:40:10,271
anything he liked us but help me if he

674
00:40:10,271 --> 00:40:12,352
didn't like you I was in there one

675
00:40:12,352 --> 00:40:14,672
Monday afternoon with Pete and Ronnie

676
00:40:14,672 --> 00:40:16,271
and we were discussing business which by

677
00:40:16,271 --> 00:40:19,112
then wasn't too bad and a couple of I

678
00:40:19,112 --> 00:40:20,832
can only describe them as herberts came

679
00:40:20,832 --> 00:40:22,511
in and said they wanted to sell us

680
00:40:22,511 --> 00:40:25,192
protection and for £200 a week they'd

681
00:40:25,192 --> 00:40:26,432
make sure we never got any kind of

682
00:40:26,432 --> 00:40:28,192
trouble at all and Ronnie said that's a

683
00:40:28,192 --> 00:40:29,872
good price but I would have to take it

684
00:40:29,872 --> 00:40:32,432
up with our other partner Italian Albert

685
00:40:32,432 --> 00:40:34,352
well those guys turned around and they

686
00:40:34,352 --> 00:40:36,672
were out of the door so fast you

687
00:40:36,672 --> 00:40:38,902
couldn't say their asses for dust

688
00:40:38,902 --> 00:41:16,392
[Music]

689
00:41:16,392 --> 00:41:19,192
wonderful times Christ you know you

690
00:41:19,192 --> 00:41:22,192
think of the big bands that worked here

691
00:41:22,192 --> 00:41:24,832
bisy worked here with a big band Buddy

692
00:41:24,832 --> 00:41:28,152
Rich on many

693
00:41:29,551 --> 00:41:32,672
occasions bu is is fantastic I mean

694
00:41:32,672 --> 00:41:35,232
quite incredible it's wonderful to watch

695
00:41:35,232 --> 00:41:36,912
the faces of drummers when they come to

696
00:41:36,912 --> 00:41:38,392
listen to Buddy at the club you they

697
00:41:38,392 --> 00:41:41,672
just don't believe it

698
00:41:48,782 --> 00:42:17,252
[Music]

699
00:42:19,562 --> 00:42:33,721
[Music]

700
00:42:37,622 --> 00:42:41,192
[Music]

701
00:42:44,672 --> 00:42:47,672
w

702
00:42:49,062 --> 00:42:52,192
[Music]

703
00:42:56,642 --> 00:42:59,732
[Music]

704
00:43:02,392 --> 00:43:19,472
[Music]

705
00:43:19,472 --> 00:43:20,991
the musicians knew that whenever they

706
00:43:20,991 --> 00:43:23,072
walked into that club that they were

707
00:43:23,072 --> 00:43:25,392
taken care of people were excited to

708
00:43:25,392 --> 00:43:27,232
perform because they knew the red carpet

709
00:43:27,232 --> 00:43:29,472
was rolled out for

710
00:43:29,472 --> 00:43:33,271
them Pete was so enthusiastic about his

711
00:43:33,271 --> 00:43:36,791
his dream to have a

712
00:43:38,112 --> 00:43:40,551
club you tell tell me about it he says

713
00:43:40,551 --> 00:43:41,791
you got to come down you got to come

714
00:43:41,791 --> 00:43:45,872
down to see it he just was inth with the

715
00:43:45,872 --> 00:43:50,432
music he used to sit there like a

716
00:43:53,912 --> 00:43:57,072
kid well there's a bit like seeing a

717
00:43:57,072 --> 00:44:00,912
statu move really when I saw Sarah vau

718
00:44:00,912 --> 00:44:03,312
down there I mean I couldn't believe

719
00:44:03,312 --> 00:44:04,712
this was Sarah

720
00:44:04,712 --> 00:44:07,472
[Music]

721
00:44:07,472 --> 00:44:11,072
born see

722
00:44:11,072 --> 00:44:14,791
like Passing Strangers

723
00:44:15,551 --> 00:44:19,452
now how can you

724
00:44:19,452 --> 00:44:22,592
[Music]

725
00:44:22,592 --> 00:44:24,832
hry

726
00:44:24,832 --> 00:44:28,632
there the two

727
00:44:28,632 --> 00:44:30,832
love half as

728
00:44:30,832 --> 00:44:33,152
much as you and

729
00:44:33,152 --> 00:44:35,392
[Music]

730
00:44:35,392 --> 00:44:42,511
I we seem like Ping changes

731
00:44:42,511 --> 00:44:48,422
now funny how things have

732
00:44:48,422 --> 00:44:50,152
[Music]

733
00:44:50,152 --> 00:44:54,422
changed you are so

734
00:44:54,422 --> 00:44:57,952
[Music]

735
00:44:57,952 --> 00:45:02,551
Inseparable now you're acting Mighty

736
00:45:02,551 --> 00:45:05,912
strange the

737
00:45:05,952 --> 00:45:11,472
hands I used to touch

738
00:45:11,632 --> 00:45:14,172
don't

739
00:45:14,172 --> 00:45:18,712
[Music]

740
00:45:18,712 --> 00:45:24,112
even how I miss your kiss

741
00:45:24,112 --> 00:45:26,642
you never

742
00:45:26,642 --> 00:45:30,161
[Music]

743
00:45:31,472 --> 00:45:34,872
know if

744
00:45:35,232 --> 00:45:38,192
[Music]

745
00:45:38,192 --> 00:45:41,632
you as Ronn developed and more American

746
00:45:41,632 --> 00:45:43,551
players came over and the British

747
00:45:43,551 --> 00:45:45,392
players got used to playing alongside

748
00:45:45,392 --> 00:45:47,991
them and in many cases accompanying them

749
00:45:47,991 --> 00:45:50,472
I think it very quickly rubbed off and I

750
00:45:50,472 --> 00:45:52,271
think it it brought the standards of

751
00:45:52,271 --> 00:45:55,152
British Jazz up to a new level it rais

752
00:45:55,152 --> 00:45:57,991
the bar and I think they learned very

753
00:45:57,991 --> 00:46:00,271
quickly most of the musicians I know are

754
00:46:00,271 --> 00:46:02,791
really very self-conscious and and

755
00:46:02,791 --> 00:46:04,632
nervous and concerned about their

756
00:46:04,632 --> 00:46:06,952
playing it is their life most Jazz are

757
00:46:06,952 --> 00:46:09,551
very dedicated people

758
00:46:09,551 --> 00:46:12,672
and um once they've done their bit which

759
00:46:12,672 --> 00:46:16,152
is a you know as I say it's a it's a

760
00:46:16,152 --> 00:46:18,912
really a a terribly difficult thing to

761
00:46:18,912 --> 00:46:20,912
try and improvise something new every

762
00:46:20,912 --> 00:46:22,312
time you go

763
00:46:22,312 --> 00:46:24,592
on once they've done that bit it it

764
00:46:24,592 --> 00:46:28,511
takes a great deal out of them

765
00:46:28,672 --> 00:46:31,392
mentally it was a chance to see somebody

766
00:46:31,392 --> 00:46:34,192
who is flying close to the Sun you know

767
00:46:34,192 --> 00:46:36,271
they knew their instrument but it's what

768
00:46:36,271 --> 00:46:39,872
they said with it that was fantastic

769
00:46:39,872 --> 00:46:41,872
that's what brought the punters in

770
00:46:41,872 --> 00:46:43,751
because they were seeing something and

771
00:46:43,751 --> 00:46:45,952
listening to something which was

772
00:46:45,952 --> 00:46:47,952
extraordinary now one of the great

773
00:46:47,952 --> 00:46:51,031
enigmas in modern Jazz Miles Davis he's

774
00:46:51,031 --> 00:46:52,632
here with Wayne shter on the saxophone

775
00:46:52,632 --> 00:46:54,672
chick ker at the piano Jack de jonette

776
00:46:54,672 --> 00:46:56,472
on the drums and Dave Holland on the

777
00:46:56,472 --> 00:46:58,432
base who miles first heard working down

778
00:46:58,432 --> 00:46:59,952
here and booked him to play with the

779
00:46:59,952 --> 00:47:02,952
Quintet

780
00:47:04,442 --> 00:47:17,751
[Music]

781
00:47:17,751 --> 00:47:19,522
a

782
00:47:19,522 --> 00:48:12,721
[Music]

783
00:48:13,192 --> 00:48:15,112
for almost 20 years this club has been

784
00:48:15,112 --> 00:48:17,791
providing great jazz every night of the

785
00:48:17,791 --> 00:48:20,872
week at first it had a local Fame then

786
00:48:20,872 --> 00:48:22,791
it became nationally famous and now it

787
00:48:22,791 --> 00:48:25,152
holds a unique position it's

788
00:48:25,152 --> 00:48:28,072
internationally famous as the Bas for

789
00:48:28,072 --> 00:48:31,272
the best in modern jazz

790
00:48:31,272 --> 00:49:00,312
[Music]

791
00:49:01,632 --> 00:49:05,712
hello Ronnie Scot Club yes we're open

792
00:49:05,712 --> 00:49:08,392
tonight what time uh do we open well

793
00:49:08,392 --> 00:49:11,152
what time can you get here

794
00:49:11,152 --> 00:49:12,592
now you can wear what you like just wear

795
00:49:12,592 --> 00:49:15,551
a tie nothing else just a

796
00:49:15,551 --> 00:49:18,052
tie okay

797
00:49:18,052 --> 00:49:21,122
[Music]

798
00:49:24,672 --> 00:49:29,912
bye-bye it's a little nest of Happiness

799
00:49:29,912 --> 00:49:33,592
all the uh the recent wounds are all

800
00:49:33,592 --> 00:49:36,031
healed here at Ronny Scots because

801
00:49:36,031 --> 00:49:37,312
there's always somebody blowing

802
00:49:37,312 --> 00:49:39,991
something beautiful and talking the kind

803
00:49:39,991 --> 00:49:41,072
of

804
00:49:41,072 --> 00:49:45,152
uh unconscious poetry that that only

805
00:49:45,152 --> 00:49:48,271
good music can speak to

806
00:49:48,271 --> 00:49:51,112
you they never set out to have the one

807
00:49:51,112 --> 00:49:53,112
of the greatest jazz clubs in the world

808
00:49:53,112 --> 00:49:55,672
that wasn't they just looked at it as

809
00:49:55,672 --> 00:49:58,352
though I can go in there I can sit I can

810
00:49:58,352 --> 00:50:01,352
talk I can play I can listen it was

811
00:50:01,352 --> 00:50:03,912
never about the money at

812
00:50:03,912 --> 00:50:06,632
all I'm not surprised they didn't make

813
00:50:06,632 --> 00:50:08,912
any money because all these people I met

814
00:50:08,912 --> 00:50:10,991
they oh yes I went down there took my

815
00:50:10,991 --> 00:50:13,392
mom and dad and so and so down there

816
00:50:13,392 --> 00:50:16,432
meals on the house booze on the house

817
00:50:16,432 --> 00:50:19,072
they were so generous and and again and

818
00:50:19,072 --> 00:50:22,592
again I heard this from people p you say

819
00:50:22,592 --> 00:50:25,672
well your family ain't

820
00:50:27,392 --> 00:50:30,832
you it had a jazz musician's Vibe about

821
00:50:30,832 --> 00:50:32,592
it they'd take the piss out of you going

822
00:50:32,592 --> 00:50:35,392
in the door what are you doing

823
00:50:35,392 --> 00:50:37,912
here just that they couldn't be bothered

824
00:50:37,912 --> 00:50:39,472
off the time but the staff in the club

825
00:50:39,472 --> 00:50:41,432
had that similar attitude they were all

826
00:50:41,432 --> 00:50:43,042
there

827
00:50:43,042 --> 00:50:50,222
[Music]

828
00:50:51,592 --> 00:50:52,952
loyal

829
00:50:52,952 --> 00:50:54,551
[Music]

830
00:50:54,551 --> 00:50:57,312
we we

831
00:50:57,312 --> 00:51:00,602
shall change to

832
00:51:00,602 --> 00:51:03,031
[Music]

833
00:51:03,031 --> 00:51:06,551
imortality I'll show you a

834
00:51:06,551 --> 00:51:12,551
my we shall not all see yeah but be

835
00:51:14,551 --> 00:51:17,031
Chang yes I tell

836
00:51:17,031 --> 00:51:20,072
you CH I want to do you know

837
00:51:20,072 --> 00:51:24,751
that CH every last one of us

838
00:51:26,362 --> 00:51:27,592
[Music]

839
00:51:27,592 --> 00:51:31,392
change do you feel all right right

840
00:51:31,392 --> 00:51:33,752
now all right

841
00:51:33,752 --> 00:51:35,292
[Applause]

842
00:51:35,292 --> 00:51:38,321
[Music]

843
00:51:39,432 --> 00:51:43,312
all right holy ghost is here right

844
00:51:43,312 --> 00:51:46,231
now holy ghost is here right

845
00:51:46,231 --> 00:51:49,712
now the Holy

846
00:51:52,031 --> 00:51:54,782
Ghost we shall be

847
00:51:54,782 --> 00:51:56,672
[Music]

848
00:51:56,672 --> 00:52:01,092
CH I know going to

849
00:52:01,092 --> 00:52:03,952
[Music]

850
00:52:03,952 --> 00:52:05,472
be

851
00:52:05,472 --> 00:52:08,352
ch ch

852
00:52:08,352 --> 00:52:18,201
[Music]

853
00:52:19,112 --> 00:52:21,112
Scots was a

854
00:52:21,112 --> 00:52:24,592
family everybody work there usually work

855
00:52:24,592 --> 00:52:26,952
there for a long time you you felt you

856
00:52:26,952 --> 00:52:30,072
belong to that it was very special it

857
00:52:30,072 --> 00:52:34,392
was unique it was just one

858
00:52:35,392 --> 00:52:38,952
club the club was home and the music was

859
00:52:38,952 --> 00:52:40,632
what he felt most comfortable doing and

860
00:52:40,632 --> 00:52:41,872
happiest

861
00:52:41,872 --> 00:52:44,472
doing has it become

862
00:52:44,472 --> 00:52:47,392
almost an extension of yourself like an

863
00:52:47,392 --> 00:52:51,112
extra arm or an extra head that the club

864
00:52:51,112 --> 00:52:53,511
has become part of your body I think it

865
00:52:53,511 --> 00:52:56,072
has I mean 20 years is a long I mean

866
00:52:56,072 --> 00:52:57,112
that's that's more than the Train

867
00:52:57,112 --> 00:52:59,712
Robbers

868
00:53:01,511 --> 00:53:04,592
go you a a very unusual case Ronnie

869
00:53:04,592 --> 00:53:05,672
because you're one of the very few

870
00:53:05,672 --> 00:53:08,112
people in this world and certainly in

871
00:53:08,112 --> 00:53:09,551
the successful way that have been able

872
00:53:09,551 --> 00:53:12,152
to remain a jazz player and run a

873
00:53:12,152 --> 00:53:15,312
nightclub yeah well it's I I I'm very

874
00:53:15,312 --> 00:53:17,511
lucky there because uh I have a partner

875
00:53:17,511 --> 00:53:19,432
who handles the business side of things

876
00:53:19,432 --> 00:53:22,031
you know and that leaves me free to to

877
00:53:22,031 --> 00:53:25,991
play and uh and to uh kind of compare

878
00:53:25,991 --> 00:53:28,872
the proceedings and um and it really

879
00:53:28,872 --> 00:53:30,392
works very well because I have the best

880
00:53:30,392 --> 00:53:32,832
of both

881
00:53:32,832 --> 00:53:36,271
worlds I used to call them Lauren and

882
00:53:36,271 --> 00:53:38,991
Hardy cuz they were absolutely great

883
00:53:38,991 --> 00:53:41,592
great working together it was a lovely

884
00:53:41,592 --> 00:53:45,912
friendship and fun it was good

885
00:53:45,912 --> 00:53:48,271
fun the relationship between Pete King

886
00:53:48,271 --> 00:53:50,352
and Ronnie is absolutely crucial to the

887
00:53:50,352 --> 00:53:51,832
longevity of the

888
00:53:51,832 --> 00:53:53,712
club I've always thought it was

889
00:53:53,712 --> 00:53:55,072
important that they were both great

890
00:53:55,072 --> 00:53:57,672
friends as well as as having this

891
00:53:57,672 --> 00:54:00,432
obsessive common

892
00:54:00,432 --> 00:54:03,672
interest we're totally different

893
00:54:03,672 --> 00:54:06,472
characters and you've got to

894
00:54:06,472 --> 00:54:10,231
be the best of friends

895
00:54:10,231 --> 00:54:13,392
Ronnie is my best

896
00:54:13,392 --> 00:54:16,271
friend Pete was um quite hard to get to

897
00:54:16,271 --> 00:54:18,712
know I mean he was came was a very rough

898
00:54:18,712 --> 00:54:21,791
character quite rough diamond you know

899
00:54:21,791 --> 00:54:23,192
he could be a gangster in another

900
00:54:23,192 --> 00:54:25,712
situation I think cuz he he didn't

901
00:54:25,712 --> 00:54:28,231
suffer fors

902
00:54:28,231 --> 00:54:31,031
gladly he took no [ __ ] my father and he

903
00:54:31,031 --> 00:54:32,872
was respected for that so no one mess

904
00:54:32,872 --> 00:54:35,432
with him yeah he was a very sarcastic

905
00:54:35,432 --> 00:54:38,072
man and you if you didn't know him you

906
00:54:38,072 --> 00:54:40,672
would think that he's having to got you

907
00:54:40,672 --> 00:54:45,192
but it is his way of being

908
00:54:46,152 --> 00:54:48,551
nice people used to say to me how can

909
00:54:48,551 --> 00:54:52,511
you put up with him he's so Gruff but I

910
00:54:52,511 --> 00:54:54,991
said no he's not he's a [ __ ] cat cuz he

911
00:54:54,991 --> 00:54:56,712
was to

912
00:54:56,712 --> 00:54:59,472
me and then when I used to hear him talk

913
00:54:59,472 --> 00:55:02,112
to some people I think oh God you know

914
00:55:02,112 --> 00:55:04,152
how can you say that happened but that

915
00:55:04,152 --> 00:55:06,551
was Pete there was no front with him it

916
00:55:06,551 --> 00:55:09,712
was just straight to the point

917
00:55:09,712 --> 00:55:12,192
if it had been soft he would never have

918
00:55:12,192 --> 00:55:14,791
got where he

919
00:55:14,952 --> 00:55:18,031
got the running of the establishment I'm

920
00:55:18,031 --> 00:55:20,751
sure Ronnie would tell you it's

921
00:55:20,751 --> 00:55:22,991
difficult for me to say but it does fall

922
00:55:22,991 --> 00:55:25,551
upon my

923
00:55:25,791 --> 00:55:28,472
shoulders it was in a way like a

924
00:55:28,472 --> 00:55:30,712
marriage you know they'd fall out and

925
00:55:30,712 --> 00:55:33,832
they get back together again I mean

926
00:55:33,832 --> 00:55:36,592
sometimes Pete's come home and said that

927
00:55:36,592 --> 00:55:39,712
Ronny I'm going to kill him he's so

928
00:55:39,712 --> 00:55:42,031
bloody awkward because he used to take

929
00:55:42,031 --> 00:55:44,751
the Takin and go out and gamble if

930
00:55:44,751 --> 00:55:47,592
Ronnie could gamble the club away he

931
00:55:47,592 --> 00:55:49,672
would have

932
00:55:49,672 --> 00:55:52,072
done Pete was the one that kept him

933
00:55:52,072 --> 00:55:55,471
under control well he tried

934
00:55:55,471 --> 00:55:58,152
anyway I don't think he succeeded very

935
00:55:58,152 --> 00:56:01,912
well but there was always money troubles

936
00:56:01,912 --> 00:56:05,551
there there were times when you thought

937
00:56:05,551 --> 00:56:08,112
oh good lord I think we might have

938
00:56:08,112 --> 00:56:11,031
cracked it this time and no sooner you

939
00:56:11,031 --> 00:56:14,991
think that oh and it looked as though we

940
00:56:14,991 --> 00:56:16,632
were going to have to pack it

941
00:56:16,632 --> 00:56:19,672
in I remember when the chain was going

942
00:56:19,672 --> 00:56:21,672
to go on the door and the accountant

943
00:56:21,672 --> 00:56:23,432
turned around to Ronnie and we were

944
00:56:23,432 --> 00:56:25,551
having this sort of final crunch meeting

945
00:56:25,551 --> 00:56:27,632
and the accountant said look you got to

946
00:56:27,632 --> 00:56:29,872
stop and Ronnie looked at me and said

947
00:56:29,872 --> 00:56:31,791
what do we do

948
00:56:31,791 --> 00:56:34,352
Pete when things were really desperate

949
00:56:34,352 --> 00:56:35,991
you know I used to come to work and

950
00:56:35,991 --> 00:56:38,751
there were guys in suits uh uh and

951
00:56:38,751 --> 00:56:41,112
notebooks there in the afternoon walking

952
00:56:41,112 --> 00:56:43,031
around uh making notes of how much the

953
00:56:43,031 --> 00:56:44,632
piano was worth and how much the tables

954
00:56:44,632 --> 00:56:46,312
and chairs were worth and stuff like

955
00:56:46,312 --> 00:56:48,952
that must have been horrifying it was

956
00:56:48,952 --> 00:56:51,592
and we were very close to just having to

957
00:56:51,592 --> 00:56:54,152
forget it

958
00:56:59,152 --> 00:57:01,392
all they were putting up Christmas

959
00:57:01,392 --> 00:57:03,872
decorations and Pete was wandering

960
00:57:03,872 --> 00:57:05,751
around with a hammer on and a ladder

961
00:57:05,751 --> 00:57:08,352
doing things and Chris Blackwell came in

962
00:57:08,352 --> 00:57:09,271
they said

963
00:57:09,271 --> 00:57:12,672
P what's what's this about the clubs in

964
00:57:12,672 --> 00:57:15,511
financial trouble well most clubs are

965
00:57:15,511 --> 00:57:17,352
there's a hell of a recession going on

966
00:57:17,352 --> 00:57:19,192
at the moment you

967
00:57:19,192 --> 00:57:22,751
know uh he said um how how much trouble

968
00:57:22,751 --> 00:57:25,432
I said £100,000 we were if we want it he

969
00:57:25,432 --> 00:57:26,991
said are you going to run it like you've

970
00:57:26,991 --> 00:57:29,072
always run it so I said well we don't

971
00:57:29,072 --> 00:57:30,791
know any other

972
00:57:30,791 --> 00:57:34,551
way so he said put me down for

973
00:57:34,551 --> 00:57:37,471
25 well I'd heard they were getting into

974
00:57:37,471 --> 00:57:40,231
some difficulties and I love the club I

975
00:57:40,231 --> 00:57:42,392
love jazz I just wanted to do what I

976
00:57:42,392 --> 00:57:44,912
could to keep it alive you know that

977
00:57:44,912 --> 00:57:47,231
place has to stay

978
00:57:47,231 --> 00:57:50,112
alive I think they were really surprised

979
00:57:50,112 --> 00:57:51,672
by how much everybody wanted them to

980
00:57:51,672 --> 00:57:52,511
stick

981
00:57:52,511 --> 00:57:54,952
around there was someone who said to

982
00:57:54,952 --> 00:57:57,832
Pete at the time if you'd been better

983
00:57:57,832 --> 00:57:59,432
businessmen this wouldn't have happened

984
00:57:59,432 --> 00:58:01,432
to you and Pete said if we've been

985
00:58:01,432 --> 00:58:02,632
better businessmen we wouldn't have

986
00:58:02,632 --> 00:58:07,112
started a jazz club in the first place

987
00:58:12,042 --> 00:58:15,181
[Music]

988
00:58:18,832 --> 00:58:22,121
[Music]

989
00:58:25,152 --> 00:58:27,112
they have a very casual attitude towards

990
00:58:27,112 --> 00:58:30,672
the customers but a very rigid attitude

991
00:58:30,672 --> 00:58:33,632
towards what they have an offer they

992
00:58:33,632 --> 00:58:38,192
just won't offer total mediocrity or

993
00:58:38,192 --> 00:58:40,872
[ __ ] tell Jazz and I think that

994
00:58:40,872 --> 00:58:44,031
impresses people I think they come here

995
00:58:44,031 --> 00:58:46,672
because they really like and Trust what

996
00:58:46,672 --> 00:58:48,471
R is going to give

997
00:58:48,471 --> 00:58:50,912
them I'd like to see the music business

998
00:58:50,912 --> 00:58:53,192
in such a a position that one could put

999
00:58:53,192 --> 00:58:55,912
on for instance someone like Donovan in

1000
00:58:55,912 --> 00:58:58,352
the main room and it was at the Gary

1001
00:58:58,352 --> 00:59:01,471
Burton quartet and upstairs the discoe

1002
00:59:01,471 --> 00:59:02,991
would play good pop music and I'm

1003
00:59:02,991 --> 00:59:04,751
convinced that that this is where the

1004
00:59:04,751 --> 00:59:08,152
future of jazz lies in appealing to uh

1005
00:59:08,152 --> 00:59:10,751
the people like pop music you know and

1006
00:59:10,751 --> 00:59:12,231
I'm sure this is possible because there

1007
00:59:12,231 --> 00:59:14,072
are so many pop groups now especially

1008
00:59:14,072 --> 00:59:15,352
the forward looking ones that are

1009
00:59:15,352 --> 00:59:17,672
playing jazz whether they think so or

1010
00:59:17,672 --> 00:59:20,632
they realize it or not they

1011
00:59:20,632 --> 00:59:23,632
are to recall what happened that night

1012
00:59:23,632 --> 00:59:26,231
at uh Ronnie Scott was a magical night

1013
00:59:26,231 --> 00:59:29,192
and I'll never forget

1014
00:59:29,471 --> 00:59:32,672
it we were booked at um Ronnie Scotts

1015
00:59:32,672 --> 00:59:35,152
with Eric Burton and War this is

1016
00:59:35,152 --> 00:59:36,791
probably one of the hottest bands in

1017
00:59:36,791 --> 00:59:40,031
London at the time we were on

1018
00:59:40,031 --> 00:59:42,031
I went down on the

1019
00:59:42,031 --> 00:59:44,231
Wednesday whenever I was going to a

1020
00:59:44,231 --> 00:59:46,751
decent gig I was like get a tght

1021
00:59:46,751 --> 00:59:48,791
recording of

1022
00:59:48,791 --> 00:59:52,392
it got my recorder in the bag and I set

1023
00:59:52,392 --> 00:59:55,672
it all up War come

1024
00:59:55,672 --> 00:59:58,271
on he said one of our friends want to

1025
00:59:58,271 --> 01:00:00,991
come and join

1026
01:00:01,312 --> 01:00:04,872
in Jimmy Hendrick came in I was down on

1027
01:00:04,872 --> 01:00:06,832
stage and I saw him out in the

1028
01:00:06,832 --> 01:00:09,312
audience and he had a Strat in his hand

1029
01:00:09,312 --> 01:00:10,872
he was coming toward the stage and I

1030
01:00:10,872 --> 01:00:13,592
noticed his eyes just so white and wide

1031
01:00:13,592 --> 01:00:16,991
open you know he was ready to

1032
01:00:16,991 --> 01:00:19,991
play we started jamming a song called a

1033
01:00:19,991 --> 01:00:22,712
Mother Earth was was this hardcore Blues

1034
01:00:22,712 --> 01:00:25,352
Jimmy lit into a guitar solo I mean me

1035
01:00:25,352 --> 01:00:26,991
and Jimmy were just cutting the place up

1036
01:00:26,991 --> 01:00:28,511
we were tearing it up me and him back

1037
01:00:28,511 --> 01:00:33,031
and forth back and forth great night

1038
01:00:33,392 --> 01:00:53,341
[Music]

1039
01:00:54,672 --> 01:00:57,031
that night at Ronnie's my feet weren't

1040
01:00:57,031 --> 01:00:58,592
touching the

1041
01:00:58,592 --> 01:01:01,352
ground the next night we got word that

1042
01:01:01,352 --> 01:01:04,471
after the set jimm had died it was

1043
01:01:04,471 --> 01:01:06,152
terrible terrible thought like that and

1044
01:01:06,152 --> 01:01:10,352
I was last guitars play with him

1045
01:01:13,672 --> 01:01:14,462
[Applause]

1046
01:01:14,462 --> 01:01:17,031
[Music]

1047
01:01:17,031 --> 01:01:19,312
when people started coming to Ronnie

1048
01:01:19,312 --> 01:01:21,672
Scotts in fris street because it was a

1049
01:01:21,672 --> 01:01:24,511
kind of hip slightly risque West End

1050
01:01:24,511 --> 01:01:26,471
nightclub I think that meant then that

1051
01:01:26,471 --> 01:01:29,231
they had to offer them something more

1052
01:01:29,231 --> 01:01:31,031
and Ronnie who was an absolutely natural

1053
01:01:31,031 --> 01:01:33,672
comic and had been the front man right

1054
01:01:33,672 --> 01:01:35,832
from the beginning in a way but in fris

1055
01:01:35,832 --> 01:01:38,352
Street his role as the announcer and the

1056
01:01:38,352 --> 01:01:41,072
extremely funny MC

1057
01:01:41,072 --> 01:01:44,592
expanded sh quiet please Ron is

1058
01:01:44,592 --> 01:01:47,192
talking fell loses his dog puts an

1059
01:01:47,192 --> 01:01:50,991
advert in the paper here

1060
01:01:54,602 --> 01:01:59,641
[Applause]

1061
01:02:00,751 --> 01:02:03,112
boy joke was good enough for my father

1062
01:02:03,112 --> 01:02:04,312
is good enough for

1063
01:02:04,312 --> 01:02:06,832
me I think it's nice to kind of loosen

1064
01:02:06,832 --> 01:02:09,952
an audience up by being kind of humorous

1065
01:02:09,952 --> 01:02:14,511
or as humorous as you can be um but uh

1066
01:02:14,511 --> 01:02:16,471
you a lot of people say they enjoy the

1067
01:02:16,471 --> 01:02:19,312
jokes but the bad joke we're very

1068
01:02:19,312 --> 01:02:21,791
fortunate to have in the band one of the

1069
01:02:21,791 --> 01:02:23,832
best bass players in the

1070
01:02:23,832 --> 01:02:26,912
world unfortunately can't be with us

1071
01:02:26,912 --> 01:02:29,192
tonight he always looked as if he was

1072
01:02:29,192 --> 01:02:30,872
waiting for something nice to happen and

1073
01:02:30,872 --> 01:02:32,511
it wasn't going to happen he had that

1074
01:02:32,511 --> 01:02:37,632
look about him but he was Bloody funny

1075
01:02:39,711 --> 01:02:42,231
you can't travel on tour with musicians

1076
01:02:42,231 --> 01:02:43,991
half your life and not pick up some kind

1077
01:02:43,991 --> 01:02:44,832
of

1078
01:02:44,832 --> 01:02:47,991
routine but musicians are you know are

1079
01:02:47,991 --> 01:02:49,991
very humorous people I don't know why it

1080
01:02:49,991 --> 01:02:53,511
is but it's something to do with uh I

1081
01:02:53,511 --> 01:02:54,912
don't know you know if you're traveling

1082
01:02:54,912 --> 01:02:56,632
in a coach for for hundreds of miles if

1083
01:02:56,632 --> 01:02:59,231
you don't you know have a sense of humor

1084
01:02:59,231 --> 01:03:01,112
it can drive you completely Bonkers you

1085
01:03:01,112 --> 01:03:03,511
know so there is a lot of humor amongst

1086
01:03:03,511 --> 01:03:06,072
amongst musicians it's slightly sardonic

1087
01:03:06,072 --> 01:03:09,112
humor isly cruel humor yes yes the the

1088
01:03:09,112 --> 01:03:10,952
the the the typical example of that kind

1089
01:03:10,952 --> 01:03:12,991
of I always think of is you know this

1090
01:03:12,991 --> 01:03:14,872
trumpet player wingy manone in America

1091
01:03:14,872 --> 01:03:16,751
very fine trumpet he's only got one arm

1092
01:03:16,751 --> 01:03:19,632
consequently Wing him know and uh he's

1093
01:03:19,632 --> 01:03:21,471
very friendly with PE Russell and every

1094
01:03:21,471 --> 01:03:25,751
Christmas PE Russell sends him one

1095
01:03:27,672 --> 01:03:29,672
cuffing do you regret that you're

1096
01:03:29,672 --> 01:03:31,471
perhaps now as famous for your appalling

1097
01:03:31,471 --> 01:03:33,031
jokes as you are for your magnificent

1098
01:03:33,031 --> 01:03:34,392
saxophone

1099
01:03:34,392 --> 01:03:36,952
play well I do in a way because really

1100
01:03:36,952 --> 01:03:38,471
as far as I'm concerned that joke is

1101
01:03:38,471 --> 01:03:39,991
just kind of a hobby I mean other guys

1102
01:03:39,991 --> 01:03:41,991
have make model airplanes and stuff like

1103
01:03:41,991 --> 01:03:44,031
that and I try and do a 10-minute

1104
01:03:44,031 --> 01:03:48,172
standup spot and and it's just a hobby

1105
01:03:48,172 --> 01:04:11,832
[Music]

1106
01:04:11,832 --> 01:04:14,952
I got to tell you there was a TV quiz

1107
01:04:14,952 --> 01:04:17,991
program few weeks ago and one of the

1108
01:04:17,991 --> 01:04:19,872
questions was what instrument does

1109
01:04:19,872 --> 01:04:22,231
Ronnie Scott play and there were four

1110
01:04:22,231 --> 01:04:24,832
people answering questions on this quiz

1111
01:04:24,832 --> 01:04:25,952
one said the

1112
01:04:25,952 --> 01:04:30,031
trombone one said the drums one said the

1113
01:04:30,031 --> 01:04:33,632
banjo and one said the Pian so I don't

1114
01:04:33,632 --> 01:04:36,672
know how well known I am as far as I'm

1115
01:04:36,672 --> 01:04:39,152
concerned I still feel that I'm a

1116
01:04:39,152 --> 01:04:42,672
saxophone player some people thought of

1117
01:04:42,672 --> 01:04:45,711
him as a funny man they didn't mention

1118
01:04:45,711 --> 01:04:48,432
him as a musician and that could really

1119
01:04:48,432 --> 01:04:51,072
upset him because he wanted to be known

1120
01:04:51,072 --> 01:04:54,112
as a musician not the clown that's going

1121
01:04:54,112 --> 01:04:56,672
to introduce the

1122
01:04:56,672 --> 01:04:58,991
musicians there was something there

1123
01:04:58,991 --> 01:05:01,672
which was imponderable basically and you

1124
01:05:01,672 --> 01:05:03,711
know in those D didn't have the time nor

1125
01:05:03,711 --> 01:05:05,471
he had the inclination to discuss what

1126
01:05:05,471 --> 01:05:08,912
it might be

1127
01:05:09,751 --> 01:05:12,991
his vision of himself was so self

1128
01:05:12,991 --> 01:05:15,471
effacing that it was

1129
01:05:15,471 --> 01:05:18,711
destructive he couldn't see that the

1130
01:05:18,711 --> 01:05:21,832
humor that he brought to the people was

1131
01:05:21,832 --> 01:05:24,271
clearly distinctly important to the

1132
01:05:24,271 --> 01:05:27,912
audience he saw it as a buffoon making a

1133
01:05:27,912 --> 01:05:29,552
fool of himself on the

1134
01:05:29,552 --> 01:05:32,631
[Music]

1135
01:05:32,832 --> 01:05:37,991
stage isn't rich

1136
01:05:38,711 --> 01:05:42,112
aren't we up

1137
01:05:42,872 --> 01:05:47,751
here me finally here on the

1138
01:05:47,751 --> 01:05:51,372
ground and you

1139
01:05:51,372 --> 01:05:53,112
[Music]

1140
01:05:53,112 --> 01:05:57,711
in send in the

1141
01:05:58,312 --> 01:06:02,471
clowns send in the

1142
01:06:03,192 --> 01:06:08,632
clowns is a little BL

1143
01:06:09,432 --> 01:06:12,231
don't you

1144
01:06:13,152 --> 01:06:17,312
approve one who keeps standing

1145
01:06:17,312 --> 01:06:19,912
around and

1146
01:06:19,912 --> 01:06:23,432
one who can't

1147
01:06:23,432 --> 01:06:28,432
move send in the

1148
01:06:28,791 --> 01:06:32,912
CLS send in the

1149
01:06:33,872 --> 01:06:38,632
clouds just when I saw

1150
01:06:39,751 --> 01:06:42,672
opening

1151
01:06:43,352 --> 01:06:47,791
doors finally knowing the one that I

1152
01:06:47,791 --> 01:06:50,912
want it was

1153
01:06:51,711 --> 01:06:54,882
yours making my entrance

1154
01:06:54,882 --> 01:06:57,471
[Music]

1155
01:06:57,471 --> 01:07:00,832
again he fulfilled that image you heard

1156
01:07:00,832 --> 01:07:02,832
of that sort of wise crack inside of the

1157
01:07:02,832 --> 01:07:05,751
mouth Jazz play you know seen everything

1158
01:07:05,751 --> 01:07:09,952
and kept a large part of his life

1159
01:07:10,231 --> 01:07:13,271
secret didn't have any social life

1160
01:07:13,271 --> 01:07:16,791
outside of the club and a few friends he

1161
01:07:16,791 --> 01:07:18,551
had were

1162
01:07:18,551 --> 01:07:20,952
musicians who were friends when he was

1163
01:07:20,952 --> 01:07:22,142
on geks with

1164
01:07:22,142 --> 01:07:27,672
[Music]

1165
01:07:27,672 --> 01:07:30,991
them never went to any of these

1166
01:07:30,991 --> 01:07:34,952
musicians house or they never came over

1167
01:07:34,952 --> 01:07:39,952
it was just work music and home

1168
01:07:39,991 --> 01:07:43,112
isn't it

1169
01:07:44,231 --> 01:07:47,952
rich isn't it

1170
01:07:48,672 --> 01:07:53,511
queer losing my timing like this this

1171
01:07:53,511 --> 01:07:57,392
late in my

1172
01:07:58,031 --> 01:08:02,432
career sending the

1173
01:08:02,872 --> 01:08:06,031
[Music]

1174
01:08:06,031 --> 01:08:08,632
clouds when I was very young I used to

1175
01:08:08,632 --> 01:08:09,632
think that

1176
01:08:09,632 --> 01:08:12,352
anybody that could play that good had to

1177
01:08:12,352 --> 01:08:15,152
be a very nice

1178
01:08:15,152 --> 01:08:17,991
intelligent psychologically balanced guy

1179
01:08:17,991 --> 01:08:19,872
it isn't true by any means that some of

1180
01:08:19,872 --> 01:08:24,112
the best players I know are complete uh

1181
01:08:24,112 --> 01:08:27,252
completely hopeless as human

1182
01:08:27,252 --> 01:08:31,111
[Music]

1183
01:08:31,111 --> 01:08:32,872
beings

1184
01:08:32,872 --> 01:08:35,872
don't

1185
01:08:36,552 --> 01:08:38,322
bother there

1186
01:08:38,322 --> 01:08:55,072
[Music]

1187
01:09:03,832 --> 01:09:06,751
you knew when he was not right if you

1188
01:09:06,751 --> 01:09:09,191
know what I mean yeah a depression he

1189
01:09:09,191 --> 01:09:10,992
suffered from it quite badly quite a few

1190
01:09:10,992 --> 01:09:12,111
times

1191
01:09:12,111 --> 01:09:14,312
actually you used to come around for

1192
01:09:14,312 --> 01:09:17,751
Christmas and things like that but it

1193
01:09:17,751 --> 01:09:20,512
was very

1194
01:09:20,512 --> 01:09:23,552
difficult he wasn't

1195
01:09:23,552 --> 01:09:26,231
happy couple of times when he was really

1196
01:09:26,231 --> 01:09:28,512
bad he came to the house and stayed at

1197
01:09:28,512 --> 01:09:31,671
the house and we looked after him but he

1198
01:09:31,671 --> 01:09:33,791
was so

1199
01:09:33,791 --> 01:09:35,912
difficult you know you could never leave

1200
01:09:35,912 --> 01:09:37,992
him alone cuz you never knew where the

1201
01:09:37,992 --> 01:09:41,271
you going to come back and he was

1202
01:09:45,882 --> 01:09:56,881
[Music]

1203
01:09:57,271 --> 01:09:59,872
dead those things were kept very quiet

1204
01:09:59,872 --> 01:10:02,992
by the kind of whole club setup and it

1205
01:10:02,992 --> 01:10:04,992
was part I think of also that rather

1206
01:10:04,992 --> 01:10:06,992
Macho East End background that him and

1207
01:10:06,992 --> 01:10:08,352
Pete had had

1208
01:10:08,352 --> 01:10:10,631
you could acknowledge being an alcoholic

1209
01:10:10,631 --> 01:10:12,232
or a heroin addict or something but you

1210
01:10:12,232 --> 01:10:14,151
couldn't acknowledge having a mental

1211
01:10:14,151 --> 01:10:17,872
problem it was somehow

1212
01:10:18,631 --> 01:10:21,111
shaming the first

1213
01:10:21,111 --> 01:10:25,671
sign that we saw of the Depression was

1214
01:10:25,671 --> 01:10:28,671
actually in

1215
01:10:29,591 --> 01:10:32,312
1965 he didn't know what was happening

1216
01:10:32,312 --> 01:10:33,952
to him he was

1217
01:10:33,952 --> 01:10:36,752
just terribly

1218
01:10:36,752 --> 01:10:40,232
distressed so we we hid it we he would

1219
01:10:40,232 --> 01:10:42,392
didn't want anyone to know he did

1220
01:10:42,392 --> 01:10:44,952
absolutely didn't want anyone to know

1221
01:10:44,952 --> 01:10:47,472
and we would leave the club in the early

1222
01:10:47,472 --> 01:10:50,952
hours of the morning 4 or 4:30 and he

1223
01:10:50,952 --> 01:10:54,232
could drop the mask that he'd had up all

1224
01:10:54,232 --> 01:10:57,872
night and he could be himself and

1225
01:10:57,872 --> 01:11:01,591
himself was falling

1226
01:11:02,312 --> 01:11:05,472
apart nobody talked about manic

1227
01:11:05,472 --> 01:11:08,432
depression nobody knew about it you know

1228
01:11:08,432 --> 01:11:11,352
if you suffered from that Dreadful

1229
01:11:11,352 --> 01:11:14,032
illness you were ignored or you were

1230
01:11:14,032 --> 01:11:15,952
told well it's just you know it's just a

1231
01:11:15,952 --> 01:11:18,232
drunk or he's into drugs or he's not

1232
01:11:18,232 --> 01:11:20,352
taking care of himself when they don't

1233
01:11:20,352 --> 01:11:24,272
realize that you can't control

1234
01:11:27,792 --> 01:11:31,352
that there were times where Dad wouldn't

1235
01:11:31,352 --> 01:11:33,272
really be

1236
01:11:33,272 --> 01:11:35,591
himself I didn't understand being shut

1237
01:11:35,591 --> 01:11:37,752
out when he was going through those

1238
01:11:37,752 --> 01:11:40,272
doubts that he was going through and

1239
01:11:40,272 --> 01:11:42,072
because I wasn't able to recognize it I

1240
01:11:42,072 --> 01:11:45,111
didn't know and just felt that that he

1241
01:11:45,111 --> 01:11:50,352
was just not interested or bored with

1242
01:11:54,712 --> 01:11:57,151
me that it was later on in my life where

1243
01:11:57,151 --> 01:11:59,032
I could really have a better

1244
01:11:59,032 --> 01:12:02,032
understanding and not make it about me

1245
01:12:02,032 --> 01:12:04,591
um and not take it personally as it is a

1246
01:12:04,591 --> 01:12:07,552
very selfish disease I feel like the

1247
01:12:07,552 --> 01:12:08,631
only only thing you're really thinking

1248
01:12:08,631 --> 01:12:10,272
about as far as others is just that

1249
01:12:10,272 --> 01:12:11,952
you're more of a burden than anything

1250
01:12:11,952 --> 01:12:14,872
else on anybody but you're not able to

1251
01:12:14,872 --> 01:12:17,192
see what it would do if you were no

1252
01:12:17,192 --> 01:12:19,272
longer here it's more of I'm just a

1253
01:12:19,272 --> 01:12:21,192
burden they don't need me around

1254
01:12:21,192 --> 01:12:22,472
[Music]

1255
01:12:22,472 --> 01:12:25,631
anymore you know I don't look ahead uh I

1256
01:12:25,631 --> 01:12:28,272
just um live day to day at the moment

1257
01:12:28,272 --> 01:12:30,712
everything's okay you know I can't look

1258
01:12:30,712 --> 01:12:32,752
uh too far into the future I'm afraid

1259
01:12:32,752 --> 01:12:35,912
I've never being that

1260
01:12:36,071 --> 01:12:39,232
way it could be going for years without

1261
01:12:39,232 --> 01:12:41,912
drinking any alcohol not taking any

1262
01:12:41,912 --> 01:12:44,872
sleeping tablets not taking any drugs

1263
01:12:44,872 --> 01:12:47,912
it's just um you couldn't always check

1264
01:12:47,912 --> 01:12:50,192
on what he was taking but you would soon

1265
01:12:50,192 --> 01:12:53,752
realize what was going on unfortunately

1266
01:12:53,752 --> 01:12:58,432
I witnessed several suicide

1267
01:12:58,712 --> 01:13:00,992
attempts I remember one particular

1268
01:13:00,992 --> 01:13:03,272
occasion on the Sunday morning he called

1269
01:13:03,272 --> 01:13:06,992
me in tears I said what I feel terrible

1270
01:13:06,992 --> 01:13:08,912
I said should I come over he said no no

1271
01:13:08,912 --> 01:13:11,111
you've been a good pal Wally no I'll

1272
01:13:11,111 --> 01:13:12,792
I'll be all right and he that's you know

1273
01:13:12,792 --> 01:13:13,752
that's the sort of thing I would get

1274
01:13:13,752 --> 01:13:17,792
from him I particularly remember that

1275
01:13:19,071 --> 01:13:21,272
one when he was in the

1276
01:13:21,272 --> 01:13:24,232
PRI I remember him saying to me why does

1277
01:13:24,232 --> 01:13:27,151
Pete keep on save him is Stella and I

1278
01:13:27,151 --> 01:13:30,111
said I don't know Ronnie and he said why

1279
01:13:30,111 --> 01:13:32,832
don't you just let me

1280
01:13:32,832 --> 01:13:38,111
go and I couldn't answer him

1281
01:13:43,872 --> 01:13:47,752
devastating devastating people couldn't

1282
01:13:47,752 --> 01:13:50,392
grasp or

1283
01:13:50,392 --> 01:13:54,832
understand why he went to the club and

1284
01:13:55,032 --> 01:13:57,352
played was the only way he could deal

1285
01:13:57,352 --> 01:13:59,512
with

1286
01:14:01,092 --> 01:14:03,111
[Music]

1287
01:14:03,111 --> 01:14:08,032
it people say to me

1288
01:14:12,952 --> 01:14:14,452
you need

1289
01:14:14,452 --> 01:14:16,872
[Music]

1290
01:14:16,872 --> 01:14:20,591
company when you

1291
01:14:21,032 --> 01:14:24,952
have some time to

1292
01:14:25,631 --> 01:14:27,502
spend drop

1293
01:14:27,502 --> 01:14:30,631
[Music]

1294
01:14:30,631 --> 01:14:32,802
around when you need a

1295
01:14:32,802 --> 01:14:35,312
[Music]

1296
01:14:35,312 --> 01:14:39,472
friend they forget

1297
01:14:39,992 --> 01:14:43,111
I'm not over

1298
01:14:43,512 --> 01:14:45,562
you for a

1299
01:14:45,562 --> 01:14:53,952
[Music]

1300
01:14:53,952 --> 01:14:57,591
while I can't go

1301
01:14:57,591 --> 01:15:01,272
on without

1302
01:15:04,151 --> 01:15:08,272
you your love is on

1303
01:15:08,272 --> 01:15:10,062
oh I'm

1304
01:15:10,062 --> 01:15:14,032
[Music]

1305
01:15:14,872 --> 01:15:17,952
living I know

1306
01:15:17,952 --> 01:15:20,952
whatever

1307
01:15:22,111 --> 01:15:25,111
be

1308
01:15:26,832 --> 01:15:32,712
me I love you s when you hit the bottom

1309
01:15:32,712 --> 01:15:35,792
and you think there's just no nobody and

1310
01:15:35,792 --> 01:15:38,352
no reason to carry on

1311
01:15:38,352 --> 01:15:42,432
so you hit it hard and you come out or

1312
01:15:42,432 --> 01:15:44,591
you

1313
01:15:45,671 --> 01:15:48,052
don't

1314
01:15:48,052 --> 01:15:49,832
[Music]

1315
01:15:49,832 --> 01:15:52,631
gosh when he got over it he was very

1316
01:15:52,631 --> 01:15:56,042
happy to be alive

1317
01:15:56,042 --> 01:16:08,292
[Music]

1318
01:16:08,292 --> 01:16:19,462
[Applause]

1319
01:16:19,952 --> 01:16:22,591
I really feel that uh the jazz musician

1320
01:16:22,591 --> 01:16:25,472
is an artist he doesn't owe anything

1321
01:16:25,472 --> 01:16:27,952
really to his audience except to give

1322
01:16:27,952 --> 01:16:30,671
the best performance musically that that

1323
01:16:30,671 --> 01:16:32,232
he's capable of which most Jazz

1324
01:16:32,232 --> 01:16:34,071
musicians or every jazz musician that I

1325
01:16:34,071 --> 01:16:35,472
know does anyway you know whenever he

1326
01:16:35,472 --> 01:16:38,872
goes on the stand it's a it's uh um a

1327
01:16:38,872 --> 01:16:42,032
kind of trauma and he tries to do his

1328
01:16:42,032 --> 01:16:44,392
best and you know it's very frustrating

1329
01:16:44,392 --> 01:16:46,272
most of the time that you can't always

1330
01:16:46,272 --> 01:16:49,032
play at your Peak I think your sense of

1331
01:16:49,032 --> 01:16:51,312
self your sense of well-being is

1332
01:16:51,312 --> 01:16:54,192
inextricably linked with your music

1333
01:16:54,192 --> 01:16:56,111
you're looking for Transcendence that

1334
01:16:56,111 --> 01:16:57,952
you can't really control you don't know

1335
01:16:57,952 --> 01:16:59,151
when it's going to

1336
01:16:59,151 --> 01:17:02,552
come and when it does it's the most

1337
01:17:02,552 --> 01:17:05,272
exhilarating feeling you can have and

1338
01:17:05,272 --> 01:17:08,071
for a second you could take your

1339
01:17:08,071 --> 01:17:09,912
hands off the saxophone and it feels

1340
01:17:09,912 --> 01:17:12,671
like it's playing

1341
01:17:13,042 --> 01:17:30,202
[Music]

1342
01:17:32,192 --> 01:17:35,752
itself it's very very difficult to

1343
01:17:35,752 --> 01:17:37,832
reproduce that

1344
01:17:37,832 --> 01:17:39,912
and you want it again and you want it

1345
01:17:39,912 --> 01:17:42,752
again someone like Ronnie who obviously

1346
01:17:42,752 --> 01:17:44,832
struggled with depression

1347
01:17:44,832 --> 01:17:48,192
and he needed

1348
01:17:48,192 --> 01:17:51,872
that any musician will tell you that

1349
01:17:51,872 --> 01:17:54,071
however down you're feeling a great gig

1350
01:17:54,071 --> 01:17:55,712
will pull your head above the water for

1351
01:17:55,712 --> 01:17:57,832
a

1352
01:17:57,872 --> 01:18:01,392
bit you give everything you got emptied

1353
01:18:01,392 --> 01:18:03,872
it Cup every time and it come back twice

1354
01:18:03,872 --> 01:18:07,591
as full it's a ja philosophy it's say

1355
01:18:07,591 --> 01:18:09,192
the greatest State of Mind is the

1356
01:18:09,192 --> 01:18:12,392
ability to balance between making it

1357
01:18:12,392 --> 01:18:14,952
happen and letting it happen letting it

1358
01:18:14,952 --> 01:18:18,512
happen you turn it over to a higher

1359
01:18:19,552 --> 01:18:24,151
power that is how Ronnie dealt with

1360
01:18:24,151 --> 01:18:27,671
every tragedy in his life absolutely he

1361
01:18:27,671 --> 01:18:31,631
played it out through his

1362
01:18:31,671 --> 01:18:34,392
music that's what it's about it's about

1363
01:18:34,392 --> 01:18:37,591
playing your feelings that that's what

1364
01:18:37,591 --> 01:18:42,192
we do we play Life

1365
01:18:42,432 --> 01:18:59,501
[Music]

1366
01:19:10,472 --> 01:19:12,752
he loved musicians as much as he loved

1367
01:19:12,752 --> 01:19:14,832
music you could see it was like a child

1368
01:19:14,832 --> 01:19:17,272
you could he he'd switch from morling

1369
01:19:17,272 --> 01:19:20,472
old man to excited young boy literally

1370
01:19:20,472 --> 01:19:22,552
like

1371
01:19:22,552 --> 01:19:26,352
that he was as much in awe of these

1372
01:19:26,352 --> 01:19:30,792
people as he was the day he walked into

1373
01:19:30,792 --> 01:19:35,071
the clubs on 52nd Street as a young man

1374
01:19:35,071 --> 01:19:39,151
he never lost that

1375
01:19:40,832 --> 01:19:42,792
one night we were driving home in the

1376
01:19:42,792 --> 01:19:44,912
car and he said to me he said you know

1377
01:19:44,912 --> 01:19:48,312
Mary he said it's it's unbelievable it's

1378
01:19:48,312 --> 01:19:50,512
just magical

1379
01:19:50,512 --> 01:19:55,032
that here I am with this little Club in

1380
01:19:55,032 --> 01:19:59,032
London and Ben Webster is playing my

1381
01:19:59,032 --> 01:20:02,432
club he said I can't believe it I can't

1382
01:20:02,432 --> 01:20:06,992
believe that this is all happening

1383
01:20:12,472 --> 01:20:14,631
from sitting where his office was just

1384
01:20:14,631 --> 01:20:16,591
behind the stage you realize that he

1385
01:20:16,591 --> 01:20:18,631
listened to every bit of music that was

1386
01:20:18,631 --> 01:20:20,872
ever being played on that stage it was

1387
01:20:20,872 --> 01:20:22,232
almost like he was an extension of the

1388
01:20:22,232 --> 01:20:24,232
back

1389
01:20:24,232 --> 01:20:27,432
there keeps me off the streets I get

1390
01:20:27,432 --> 01:20:30,232
free food uh but the main thing really

1391
01:20:30,232 --> 01:20:33,352
is uh um I get to

1392
01:20:33,352 --> 01:20:36,512
hear you know great players all the time

1393
01:20:36,512 --> 01:20:38,591
it's like having a Master Class 12

1394
01:20:38,591 --> 01:20:42,151
months a year hey come on

1395
01:20:42,151 --> 01:20:44,512
man come on

1396
01:20:44,512 --> 01:20:47,272
man hey come on

1397
01:20:47,272 --> 01:20:50,032
man I'm waiting for the

1398
01:20:50,032 --> 01:20:53,992
man crazy for the

1399
01:21:00,832 --> 01:21:03,151
man my

1400
01:21:03,151 --> 01:21:06,832
man my man don't love me he treats me oh

1401
01:21:06,832 --> 01:21:08,512
so so

1402
01:21:08,512 --> 01:21:11,752
mean my man don't love me he treats me

1403
01:21:11,752 --> 01:21:13,712
oh so

1404
01:21:13,712 --> 01:21:16,752
me he's the meatest

1405
01:21:16,752 --> 01:21:21,222
man I ever seen he's from

1406
01:21:21,222 --> 01:21:24,631
[Music]

1407
01:21:24,631 --> 01:21:27,272
Bright

1408
01:21:27,272 --> 01:21:28,892
Sheffield

1409
01:21:28,892 --> 01:21:31,071
[Music]

1410
01:21:31,071 --> 01:21:33,752
Bristol tell me all about him keer tell

1411
01:21:33,752 --> 01:21:37,512
me about my man

1412
01:21:37,752 --> 01:21:39,631
yeah

1413
01:21:39,631 --> 01:21:41,192
right

1414
01:21:41,192 --> 01:21:45,912
what oh I made a mistake he's from

1415
01:21:45,952 --> 01:21:48,952
London

1416
01:21:49,512 --> 01:21:52,472
yeah oh

1417
01:21:52,472 --> 01:21:57,392
yeah man what else did you say about him

1418
01:21:57,392 --> 01:21:59,832
ke you don't

1419
01:21:59,832 --> 01:22:02,432
say

1420
01:22:02,432 --> 01:22:04,312
what

1421
01:22:04,312 --> 01:22:09,912
what old the dirty old oh

1422
01:22:12,071 --> 01:22:15,071
man

1423
01:22:16,272 --> 01:22:19,272
the

1424
01:22:20,652 --> 01:22:23,352
[Music]

1425
01:22:23,352 --> 01:22:24,872
baby

1426
01:22:24,872 --> 01:22:28,192
man I'm

1427
01:22:28,232 --> 01:22:31,111
waiting I'm

1428
01:22:31,111 --> 01:22:33,472
Wai

1429
01:22:33,472 --> 01:22:38,872
for for my

1430
01:22:40,631 --> 01:22:44,322
man man he never

1431
01:22:44,322 --> 01:22:45,752
[Music]

1432
01:22:45,752 --> 01:22:48,832
my know my man

1433
01:22:48,832 --> 01:22:51,832
he

1434
01:22:53,552 --> 01:22:56,232
London my

1435
01:22:56,232 --> 01:22:59,232
man

1436
01:23:01,752 --> 01:23:03,752
[Music]

1437
01:23:03,752 --> 01:23:07,022
my right on

1438
01:23:07,022 --> 01:23:20,081
[Applause]

1439
01:23:28,232 --> 01:23:30,992
so and I'm not sure exactly why he went

1440
01:23:30,992 --> 01:23:34,272
to see the dentist but this was someone

1441
01:23:34,272 --> 01:23:37,192
that he's been going to for a very very

1442
01:23:37,192 --> 01:23:39,032
long time so he knew dad he knew dad was

1443
01:23:39,032 --> 01:23:41,552
a musician but for whatever reasons the

1444
01:23:41,552 --> 01:23:45,352
dentist felt the need to remove all of

1445
01:23:45,352 --> 01:23:50,272
Dad's teeth to put in porcelain

1446
01:23:50,272 --> 01:23:54,071
ones it was a torturous long winded

1447
01:23:54,071 --> 01:23:57,712
process this thing of putting in

1448
01:23:57,712 --> 01:24:00,352
implants it was the only way he could go

1449
01:24:00,352 --> 01:24:03,151
and still maintain his omra Shore but

1450
01:24:03,151 --> 01:24:06,111
unfortunately the dentist was not an

1451
01:24:06,111 --> 01:24:09,472
accomplished dentist in that area and it

1452
01:24:09,472 --> 01:24:11,151
didn't

1453
01:24:11,151 --> 01:24:14,392
work this was after 2 years of Agony in

1454
01:24:14,392 --> 01:24:18,272
hell and not playing only to arrive at

1455
01:24:18,272 --> 01:24:22,272
this Dreadful place where none of it had

1456
01:24:22,272 --> 01:24:25,272
worked one of the main things that one

1457
01:24:25,272 --> 01:24:27,151
doesn't do is mess with a musician's

1458
01:24:27,151 --> 01:24:30,032
mouth shifting it ever so slightly just

1459
01:24:30,032 --> 01:24:32,032
throws your whole entire playing off

1460
01:24:32,032 --> 01:24:34,912
because not only is is the instrument

1461
01:24:34,912 --> 01:24:37,312
performing but your mouth is now a part

1462
01:24:37,312 --> 01:24:38,952
of the instrument and that's where your

1463
01:24:38,952 --> 01:24:42,312
sound really is Created

1464
01:24:43,992 --> 01:24:47,151
from it's almost like starting from

1465
01:24:47,151 --> 01:24:49,312
square one again and I

1466
01:24:49,312 --> 01:24:52,952
guess when you're 69 that can seem like

1467
01:24:52,952 --> 01:24:55,712
a mountain to

1468
01:24:57,712 --> 01:25:01,032
climb everything declined because he

1469
01:25:01,032 --> 01:25:04,272
couldn't play everything and it's not

1470
01:25:04,272 --> 01:25:06,352
that he didn't fight it it's not that he

1471
01:25:06,352 --> 01:25:09,192
didn't battle it he had a tremendous

1472
01:25:09,192 --> 01:25:11,872
battle for a couple of

1473
01:25:11,872 --> 01:25:14,151
years it's difficult you I always feel a

1474
01:25:14,151 --> 01:25:17,232
bit sad if if if a guy comes over that

1475
01:25:17,232 --> 01:25:19,712
that that I know was a great player 10

1476
01:25:19,712 --> 01:25:25,671
or 15 years ago who uh lose the the the

1477
01:25:25,671 --> 01:25:27,631
thing that they had you

1478
01:25:27,631 --> 01:25:29,992
know he definitely felt that he was

1479
01:25:29,992 --> 01:25:32,232
useless if he couldn't play I think I

1480
01:25:32,232 --> 01:25:34,752
heard him once or twice use that word

1481
01:25:34,752 --> 01:25:36,111
Whenever there were episodes where he

1482
01:25:36,111 --> 01:25:37,712
couldn't play the same Max phone I think

1483
01:25:37,712 --> 01:25:40,032
that really brought him to a very low

1484
01:25:40,032 --> 01:25:43,671
E the realization that he wasn't going

1485
01:25:43,671 --> 01:25:46,071
to have that probably weighed very

1486
01:25:46,071 --> 01:25:49,992
heavily on him cuz that it was his

1487
01:25:52,242 --> 01:25:55,032
[Music]

1488
01:25:55,032 --> 01:25:57,472
life you know not only did he lose his

1489
01:25:57,472 --> 01:26:00,232
gift but he lost his Outlet to express

1490
01:26:00,232 --> 01:26:02,752
his feelings however sad or happy they

1491
01:26:02,752 --> 01:26:05,111
might have

1492
01:26:05,352 --> 01:26:08,392
been the situation with his teeth

1493
01:26:08,392 --> 01:26:11,952
prevented him from playing it out and

1494
01:26:11,952 --> 01:26:15,512
for the first time in his life he could

1495
01:26:15,512 --> 01:26:18,352
not pick up his horn and

1496
01:26:18,352 --> 01:26:21,712
play one thing that he said to me then

1497
01:26:21,712 --> 01:26:24,151
and then repeated many times after that

1498
01:26:24,151 --> 01:26:29,032
is Mary you must understand that if the

1499
01:26:29,032 --> 01:26:35,472
time comes and I can't play to my

1500
01:26:35,472 --> 01:26:40,792
satisfaction I don't belong here anymore

1501
01:26:56,582 --> 01:27:08,272
[Music]

1502
01:27:08,272 --> 01:27:11,272
n

1503
01:27:11,732 --> 01:27:53,842
[Music]

1504
01:27:56,872 --> 01:27:59,591
we went to the funeral up in

1505
01:27:59,591 --> 01:28:03,472
Hamstead it was very sad it wasn't just

1506
01:28:03,472 --> 01:28:07,312
that Ronnie died you know it was all the

1507
01:28:07,312 --> 01:28:10,432
the memories that go back in time all

1508
01:28:10,432 --> 01:28:11,992
that stuff you

1509
01:28:11,992 --> 01:28:15,392
know oh

1510
01:28:16,352 --> 01:28:20,872
yeah when Ronnie died Pete was

1511
01:28:20,872 --> 01:28:25,352
lost you know at night time used to cry

1512
01:28:25,352 --> 01:28:28,192
terribly and I didn't know what to do or

1513
01:28:28,192 --> 01:28:31,151
say to him I'd never come across it

1514
01:28:31,151 --> 01:28:34,792
before like a man could cry like that

1515
01:28:34,792 --> 01:28:39,232
because he did love him really loved

1516
01:28:39,232 --> 01:28:44,071
him and I think Ronnie loved him as

1517
01:28:44,952 --> 01:28:47,472
well I went to identify the body because

1518
01:28:47,472 --> 01:28:49,631
Pete hadn't got the heart to go and see

1519
01:28:49,631 --> 01:28:52,792
it so he died in his in his apartment in

1520
01:28:52,792 --> 01:28:57,591
Chelsea and it was uh a sad

1521
01:28:57,992 --> 01:29:00,912
[Music]

1522
01:29:00,912 --> 01:29:04,071
moment there was an inquest of course

1523
01:29:04,071 --> 01:29:05,992
and the inquest concluded that he died

1524
01:29:05,992 --> 01:29:08,752
from an in cautious dose of

1525
01:29:08,752 --> 01:29:11,631
sedatives not that it was

1526
01:29:11,631 --> 01:29:16,642
suicide don't know I'll never know

1527
01:29:16,642 --> 01:29:27,942
[Applause]

1528
01:29:41,872 --> 01:29:46,232
that was awful time awful

1529
01:29:47,631 --> 01:29:50,912
time it was always Ronny Ronnie Ronny

1530
01:29:50,912 --> 01:29:53,312
Ronnie and then all of a sudden he was

1531
01:29:53,312 --> 01:29:56,071
Pete everybody wanted to interview him

1532
01:29:56,071 --> 01:30:00,111
and how he felt and everything and I was

1533
01:30:00,111 --> 01:30:02,712
really really worried about him cuz he

1534
01:30:02,712 --> 01:30:06,631
took it really hard

1535
01:30:07,832 --> 01:30:10,432
it was touch and go whether the club was

1536
01:30:10,432 --> 01:30:12,792
going to

1537
01:30:19,192 --> 01:30:23,312
close I would like very much for Ronnie

1538
01:30:23,312 --> 01:30:24,591
Scotts to go

1539
01:30:24,591 --> 01:30:28,312
on I don't know how at this stage but I

1540
01:30:28,312 --> 01:30:30,872
would like to think that Ronnie Scotts

1541
01:30:30,872 --> 01:30:34,392
will go on and on and on

1542
01:30:34,392 --> 01:30:39,071
[Music]

1543
01:30:39,071 --> 01:30:41,232
he knew that he had to keep the club

1544
01:30:41,232 --> 01:30:45,352
going to be able to find someone to take

1545
01:30:45,352 --> 01:30:47,872
it on cuz I wasn't going to do it he was

1546
01:30:47,872 --> 01:30:50,591
getting old he wanted to retire but he

1547
01:30:50,591 --> 01:30:52,872
wanted the club to carry on because of

1548
01:30:52,872 --> 01:30:54,892
Rony

1549
01:30:54,892 --> 01:30:58,011
[Music]

1550
01:31:02,992 --> 01:31:06,171
[Music]

1551
01:31:08,872 --> 01:31:11,272
with over 20 years spent transforming

1552
01:31:11,272 --> 01:31:13,591
and revitalizing some of the most

1553
01:31:13,591 --> 01:31:15,392
historic Arts venues in the country

1554
01:31:15,392 --> 01:31:17,071
Sally green is a businesswoman who's

1555
01:31:17,071 --> 01:31:19,591
earned the unusual title theater

1556
01:31:19,591 --> 01:31:21,872
regenerator but her most recent purchase

1557
01:31:21,872 --> 01:31:24,272
has caused to stir in jazzland and so we

1558
01:31:24,272 --> 01:31:27,392
sent Rachel to Ronnie Scotts to find out

1559
01:31:27,392 --> 01:31:31,151
more Sandy green was a lifesaver cuz

1560
01:31:31,151 --> 01:31:33,832
there was so many people after the club

1561
01:31:33,832 --> 01:31:37,472
and Pete realized that she was the one

1562
01:31:37,472 --> 01:31:40,832
in those days women weren't really

1563
01:31:40,832 --> 01:31:45,032
allowed to take over and she

1564
01:31:45,032 --> 01:31:46,992
did when you think of all the people who

1565
01:31:46,992 --> 01:31:50,032
played here it's iconic it's

1566
01:31:50,032 --> 01:31:52,512
extraordinary it's beautiful and it

1567
01:31:52,512 --> 01:31:54,872
stood the test of

1568
01:31:54,872 --> 01:31:57,272
time the decision he made to sell it to

1569
01:31:57,272 --> 01:31:59,432
Sally took quite a lot of people by

1570
01:31:59,432 --> 01:32:02,472
surprise it needed a refurbishment cuz

1571
01:32:02,472 --> 01:32:04,392
it had very much got run down at that

1572
01:32:04,392 --> 01:32:06,832
point and Sally gave it a major brush up

1573
01:32:06,832 --> 01:32:08,671
and I think that surprised a few people

1574
01:32:08,671 --> 01:32:10,752
that actually it was much

1575
01:32:10,752 --> 01:32:14,032
smarter it's very very well known but we

1576
01:32:14,032 --> 01:32:17,472
need to resuscitate it I just thought it

1577
01:32:17,472 --> 01:32:20,272
needs lighting up it needs something

1578
01:32:20,272 --> 01:32:22,992
special done to

1579
01:32:23,631 --> 01:32:26,551
it Sally introduced Michael watt as a

1580
01:32:26,551 --> 01:32:28,671
financial partner he was quite a

1581
01:32:28,671 --> 01:32:30,551
knowledge on Jazz so was able to

1582
01:32:30,551 --> 01:32:31,992
contribute quite a

1583
01:32:31,992 --> 01:32:35,671
lot I'm very proud of what Sally and I

1584
01:32:35,671 --> 01:32:37,312
have done here I'm very proud of what

1585
01:32:37,312 --> 01:32:39,272
the staff has done

1586
01:32:39,272 --> 01:32:42,512
here when we purchased the place the

1587
01:32:42,512 --> 01:32:45,832
greatest worry was that our crowds would

1588
01:32:45,832 --> 01:32:48,712
desert us and we withstood a fair bit of

1589
01:32:48,712 --> 01:32:51,151
criticism from the old crew and what

1590
01:32:51,151 --> 01:32:52,912
they failed to take on is that Ronnie

1591
01:32:52,912 --> 01:32:55,752
Scots was on the bones of its ass it was

1592
01:32:55,752 --> 01:32:59,032
finished we've elevated into the 21st

1593
01:32:59,032 --> 01:33:01,232
century and we've elevated in a way

1594
01:33:01,232 --> 01:33:03,272
which the fact that we're always full

1595
01:33:03,272 --> 01:33:07,432
tells us that people accept

1596
01:33:08,992 --> 01:33:10,752
I was curious but I mean you know they

1597
01:33:10,752 --> 01:33:13,432
updated it and they modernized it and uh

1598
01:33:13,432 --> 01:33:17,512
you know what the programming's been

1599
01:33:18,392 --> 01:33:20,631
brilliant if we got a decision to make

1600
01:33:20,631 --> 01:33:22,111
about something

1601
01:33:22,111 --> 01:33:24,432
artistically and you is that sort of

1602
01:33:24,432 --> 01:33:25,631
thing Ronnie would book what would

1603
01:33:25,631 --> 01:33:27,472
Ronnie feel if we' booked that CU we do

1604
01:33:27,472 --> 01:33:29,912
occasionally go off piece but they did

1605
01:33:29,912 --> 01:33:33,192
as well and I always hang on to

1606
01:33:33,192 --> 01:33:35,832
that there is a very rich Legacy with

1607
01:33:35,832 --> 01:33:38,591
this club that Pete and Ronnie laid down

1608
01:33:38,591 --> 01:33:40,631
if we put something on does it reinforce

1609
01:33:40,631 --> 01:33:42,712
or does it take away from what they

1610
01:33:42,712 --> 01:33:44,872
created you see ourselves as a s

1611
01:33:44,872 --> 01:33:47,071
Guardians of the club but also

1612
01:33:47,071 --> 01:33:50,032
refreshing it without damaging any of

1613
01:33:50,032 --> 01:33:52,512
that

1614
01:33:53,551 --> 01:33:55,992
Legacy I'm delighted I couldn't be more

1615
01:33:55,992 --> 01:33:58,151
delighted I know it's it's not as as it

1616
01:33:58,151 --> 01:34:00,312
was it's gone more commercial but so

1617
01:34:00,312 --> 01:34:01,792
what you've got as we live in a more

1618
01:34:01,792 --> 01:34:04,192
commercial World guys briefing please

1619
01:34:04,192 --> 01:34:06,832
briefing briefing I con look at the

1620
01:34:06,832 --> 01:34:09,472
lineups there's so much to pick from so

1621
01:34:09,472 --> 01:34:11,272
much new music coming through which I

1622
01:34:11,272 --> 01:34:12,792
think Ronnie Scots has done really well

1623
01:34:12,792 --> 01:34:14,952
at kind of engaging with and

1624
01:34:14,952 --> 01:34:16,671
incorporating into their program because

1625
01:34:16,671 --> 01:34:18,912
it's quite easy for these clubs to just

1626
01:34:18,912 --> 01:34:23,071
become museums in a way

1627
01:34:34,012 --> 01:34:39,852
[Applause]

1628
01:34:43,902 --> 01:34:45,752
[Music]

1629
01:34:45,752 --> 01:34:48,902
[Applause]

1630
01:34:50,162 --> 01:34:53,622
[Music]

1631
01:34:55,071 --> 01:34:57,111
it

1632
01:34:57,111 --> 01:35:00,792
all hatred of

1633
01:35:00,792 --> 01:35:04,432
me Jud

1634
01:35:04,832 --> 01:35:06,922
to up

1635
01:35:06,922 --> 01:35:09,432
[Music]

1636
01:35:09,432 --> 01:35:12,591
I think Sally green and the team really

1637
01:35:12,591 --> 01:35:14,992
understand the foundation that Dad has

1638
01:35:14,992 --> 01:35:15,952
left

1639
01:35:15,952 --> 01:35:21,192
[Music]

1640
01:35:21,192 --> 01:35:23,472
behind there's an adaptability about

1641
01:35:23,472 --> 01:35:25,631
Ronnies I think now it's very shrewdly

1642
01:35:25,631 --> 01:35:28,151
run by Simon cook and others and I think

1643
01:35:28,151 --> 01:35:30,312
in that sense they realize the jazz is

1644
01:35:30,312 --> 01:35:32,312
this very broad church and there's a new

1645
01:35:32,312 --> 01:35:33,992
interest in it from a younger audience

1646
01:35:33,992 --> 01:35:36,832
which they can incorporate along side

1647
01:35:36,832 --> 01:35:38,591
catering for the traditional audience

1648
01:35:38,591 --> 01:35:39,202
they've always

1649
01:35:39,202 --> 01:35:48,432
[Music]

1650
01:35:48,432 --> 01:35:50,752
had when you say we're playing Ronnie

1651
01:35:50,752 --> 01:35:53,631
Scotts that's the

1652
01:35:53,671 --> 01:35:55,792
Pinnacle I think that's like the thing

1653
01:35:55,792 --> 01:35:57,792
on your resume they go wow played it

1654
01:35:57,792 --> 01:36:00,872
Ronnie Scots that's

1655
01:36:01,872 --> 01:36:04,032
amazing I sat here last night and I said

1656
01:36:04,032 --> 01:36:06,872
can you imagine the legendary people

1657
01:36:06,872 --> 01:36:08,432
that have sat in this dressing room this

1658
01:36:08,432 --> 01:36:09,992
very dressing room because it hasn't

1659
01:36:09,992 --> 01:36:14,551
changed in all those years

1660
01:36:19,002 --> 01:36:35,831
[Music]

1661
01:36:38,442 --> 01:36:42,051
[Music]

1662
01:36:47,192 --> 01:36:51,111
the club was Ronnie and Pete that's it

1663
01:36:51,111 --> 01:36:53,472
without them it wouldn't have worked it

1664
01:36:53,472 --> 01:36:55,631
was a huge experiment they had to work

1665
01:36:55,631 --> 01:36:57,792
their asses off to get it off the ground

1666
01:36:57,792 --> 01:36:59,472
but they stuck with it for people who

1667
01:36:59,472 --> 01:37:04,192
love music priceless

1668
01:37:04,432 --> 01:37:07,192
priceless it is the equivalent of of so

1669
01:37:07,192 --> 01:37:09,272
many different things in classical music

1670
01:37:09,272 --> 01:37:11,591
it's a Recital Hall it's a concert hall

1671
01:37:11,591 --> 01:37:14,312
it's a place of

1672
01:37:14,312 --> 01:37:17,192
learning it was one of those magic

1673
01:37:17,192 --> 01:37:20,631
passages in time and you didn't want to

1674
01:37:20,631 --> 01:37:23,872
miss a note not one

1675
01:37:23,872 --> 01:37:26,631
note when you walk into this

1676
01:37:26,631 --> 01:37:29,872
room there is an incredible atmosphere

1677
01:37:29,872 --> 01:37:33,022
there was moving moving

1678
01:37:33,022 --> 01:37:41,912
[Music]

1679
01:37:41,912 --> 01:37:44,631
for me personally it's been a total CH

1680
01:37:44,631 --> 01:37:46,352
you know I've had a heart attack out of

1681
01:37:46,352 --> 01:37:49,512
it uh and had my real down periods and

1682
01:37:49,512 --> 01:37:52,151
up periods but the outcome of it is if I

1683
01:37:52,151 --> 01:37:54,472
had my choice to do it over again with

1684
01:37:54,472 --> 01:37:56,912
Ronnie I would do it all over again I'd

1685
01:37:56,912 --> 01:37:59,151
love

1686
01:37:59,192 --> 01:38:02,712
to I'm grateful that I had a chance to

1687
01:38:02,712 --> 01:38:05,992
know Ronnie and Pete my life wouldn't be

1688
01:38:05,992 --> 01:38:08,712
complete without knowing those people

1689
01:38:08,712 --> 01:38:11,832
going through my experience in

1690
01:38:11,832 --> 01:38:14,872
London there's been some phenomenal

1691
01:38:14,872 --> 01:38:16,752
artists they've all come through Ronnie

1692
01:38:16,752 --> 01:38:19,752
Scots I really really am grateful to the

1693
01:38:19,752 --> 01:38:22,792
place because it just opened up another

1694
01:38:22,792 --> 01:38:24,472
world for

1695
01:38:24,472 --> 01:38:29,071
me I saw all the best it was like a

1696
01:38:29,071 --> 01:38:31,732
dream come true

1697
01:38:31,732 --> 01:38:36,192
[Music]

1698
01:38:36,192 --> 01:38:38,712
keep this place alive man because it

1699
01:38:38,712 --> 01:38:40,752
infects everybody that walks through

1700
01:38:40,752 --> 01:38:42,952
that

1701
01:38:43,352 --> 01:38:47,712
door I've seen over 60 70 years Jazz and

1702
01:38:47,712 --> 01:38:49,752
Blues take over the world it's

1703
01:38:49,752 --> 01:38:52,712
unbelievable Ronnie Scots it means

1704
01:38:52,712 --> 01:38:56,392
freedom and coming

1705
01:38:56,752 --> 01:38:59,192
together it was that place where he went

1706
01:38:59,192 --> 01:39:02,912
to worship and the one constant factor

1707
01:39:02,912 --> 01:39:04,712
in all of it were these two guys who

1708
01:39:04,712 --> 01:39:06,551
done it

1709
01:39:06,551 --> 01:39:08,312
yeah when we first started we had no

1710
01:39:08,312 --> 01:39:10,512
Ambitions at all really just a place for

1711
01:39:10,512 --> 01:39:12,992
you know local guys to

1712
01:39:12,992 --> 01:39:15,232
play it's now

1713
01:39:15,232 --> 01:39:17,792
become of world

1714
01:39:17,792 --> 01:39:22,312
repute in a way we're very proud of

1715
01:39:22,312 --> 01:39:25,792
it yeah it is amazing I mean it's it's

1716
01:39:25,792 --> 01:39:28,272
um it's much easier to name the people

1717
01:39:28,272 --> 01:39:29,712
that haven't played the musicians that

1718
01:39:29,712 --> 01:39:32,432
haven't played here rather than the ones

1719
01:39:32,432 --> 01:39:34,232
that

1720
01:39:34,232 --> 01:39:37,512
have one we did get Duke

1721
01:39:37,512 --> 01:39:42,631
ellon you get John C TR got Charlie par

1722
01:39:42,631 --> 01:39:44,752
Charlie par but there have been some

1723
01:39:44,752 --> 01:39:49,562
marvelous nights the place great nights

1728
01:40:05,912 --> 01:40:08,232
been a marvelous audience uh thank you

1729
01:40:08,232 --> 01:40:09,512
very much for listening to me you've

1730
01:40:09,512 --> 01:40:13,692
made a happy man very old thanks a lot

1742
01:42:05,792 --> 01:42:08,792
oh

1743
01:42:12,222 --> 01:42:15,442

